Independent Filmmaking
October 29, 2007
We’re back with a new interview, to Actress and Producer Glorinda Marie. We talk about independent filmmaking, filmmakers, actors and movies industry.
Here are some interesting links to check, after reading the interview:
- Actress Website
- imdb
- SF Indieclub
- Get Bizzzy Acting Coach
Manuel Marino: “Glorinda, what do you think is an artist?”
Glorinda Marie: “An artist creates something through utilizing his or her imagination or minds eye as the primary tool of invention.”
MM: “You teach and coach other artists, why do some artists fail and other succeed?”
GM: “I teach my ‘Get Bizzzy’ students to practice the 5 P’s:
- Professionalism
- Punctuality
- Practice your Craft
- Persistence
- Patience
If any one of these key elements is missing, one can fail. Always be a professional treating everyone respectfully. You see the same people on the way up as on the way down. Show up early or on time for auditions and work. I know some CD’s that take points off for actors that are late for auditions and producers who will fire people from jobs if they are late. Also, it is especially vital that an actor hone their skills continuously – so practicing one’s craft, keeping one’s instrument sharp and tuned. And – truly persistence is the key that opens the door to opportunity! I think many talented people give up way too soon. So, practicing persistence and patience while doing the other things listed above, will eventually pay off! I loved Allison Janney’s speech at the Emmy’s a few years ago. Some one had referred to her as an ‘overnight sensation’. She laughed and retorted that it was the longest 30 years of overnight ever!”
MM: “You manage SF Indieclub, what can you tell us about it?”
GM: “I founded SF Indieclub to help enhance local filmmaking and filmmakers. Our collective mission is to create more work for all of us and also to enhance the quality of films being made locally. We hope to be inspirational, informative and helpful to our filmmakers. In the 8 years I have led the group, we have made some progress and sincerely intend to continue to do so. At this time, we network together over 2,000 filmmakers, directors, producers, writers, crew and talent. It is extremely rewarding to see many of our filmmakers go to festivals, win awards and even obtain distribution! My mantra for them is… keep creating!”
MM: “What are your next steps in career and life?”
GM: “Although SF Indieclub has proved to be somewhat instrumental in improving and expanding local filmmaking in the SF Bay Area, there is no comparison to the bountiful union work that is available in Los Angeles. As a SAG actress, I must expand my career and take it to the next level. Therefore, I have been living nomadically between Northern and Southern California. Although I am relatively established in the SF Bay Area, I nearly have to start all over again in LA. I’ve been going down there during pilot season and taking classes, meeting new teachers, meeting new casting directors and networking with actors. I am submitting myself in the hopes of finding a quality mid size agent to help me reach the next level in my career. I want to find someone who believes in me and my talent. In the meantime, I am submitting myself for every breakdown that would be considered my appropriate ‘type’ possible in film and TV. I believe that even if one does have an agent, the agent does 10% of the work and takes 10% of the cut because they do 10% of the work. An actor must always be actively involved in his or her own career. My goal is to get my feet in the doors of some TV shows and do some Guest Star and Co Star roles. Of course, I wish to play many more interesting roles in film as well.
As for life – I am traveling to Thailand next month. I love to expand my horizons and explore new cultures and people, customs, beliefs and ways of life. When I return home refreshed, I will enjoy the holidays with my friends and family before going back to LA again.”
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Freelance journalism
October 27, 2007
Christian Toto is a Denver-based freelance reporter specializing in arts reporting.
He can be heard on three US radio stations, as well as occasionally on “The Dennis Miller Show,” which airs across the country.
He got his first byline as a young boy with his hometown newspaper. He reviewed “Close Encounters of the Third Kind” and the paper misspelled his name.
Howard Stern, the radio bad boy, once read one of his columns on the air.
This is his story.
Freelance journalism
This isn’t exactly the best time to reinvent oneself in journalism. If newspapers aren’t dying, they’re very sick and doctors aren’t sure what to prescribe.
That didn’t stop me from quitting my job at a metropolitan newspaper and traveling across the country for the chance to start a family and buy an affordable home.
Priorities are priorities, but I feared giving up doing what I love for a living – writing movie reviews and entertainment features.
Thanks to the Web and some creative thinking, that hasn’t happened – yet.
Since moving to Colorado I’ve been able to continue my movie reviews but in a freelance capacity. The adjustment to being my own boss has been enlightening. My commute entails shuffling from the bedroom to my office, with no reason to check shadow traffic reports for fender benders or overturned trailers. Nice.
But the amount of rejection I face each day makes me long for the security of a regular gig. That’s where the Internet came in. I decided to create my own Web site, attempt to brand myself and see where that might take me. I know less than zero about HTML – heck, I didn’t know it was now referred to as XHTML, and I had never heard about CSS either.
For starters, I decided to leverage my last name, Toto, as something that sets me apart from the competition. Thus www.whatwouldtotowatch.com was born. Silly? Perhaps. But after decades of “Wizard of Oz” ribbing, that name had to start paying dividends.
I began the site on a blogger platform, but I soon changed it to have my own domain name.
But boy, was the site genetic. It took me weeks of poring over a comprehensive XHTML starter book to learn how to tweak the site and add some usable content.
That learning curve remains steep, and my site still needs a considerable amount of work. But web design wasn’t the only area where I needed to stretch my brain. Marketing my Web site required another skill set I lacked. The Web actually helped me out here, and with a few google searches I found a number of ways to spread the news about my new site.
Today, www.whatwouldtotowatch.com receives a modest amount of visitors, and every time I pitch a story I direct the editor to my home on the Web for further details. Blogging on a daily basis also makes me a sharper writer, or at least one who can pound out paragraphs at a steady clip. That efficiency will serve me well someday, I bet.
In a year, I might be writing press releases for some faceless think tank, or correcting grammatical errors for a local company’s human resource division. I’ll probably double my salary in the process, but if I juggle my web efforts just right I can avoid that fate.
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Comic Art
October 25, 2007
Mike Dominic wrote this article for us. He is a freelance illustrator and comic artist living in Halifax, Nova Scotia. He has produced work for both print and online comics, including his own webcomic, The Journals of Simon Pariah. He has written articles about comics for Sketch magazine and 24 Hour Comics Day 2006, and he is currently a participant in the 100 Artists Project. His most recent work can be found at the Bruno the Bandit webcomic and his own sketchblog.
Comic Art
Comics is an old art form that is always new. In its current form, it is just over a century old, yet it is just as fresh as today’s strips. It has adapted to nearly every communications medium introduced in the last century, yet it is still produced with tools that are as old as the written word. It is considered lowbrow trash by some (see, for example, Jack Chick tracts or Tijuana Bibles), pop culture by many (see the current spate of comic book based films and the books from which they are derived), and high art by a few (see Gary Groth and Art Speigelman). Some creators have even managed to start at one end of the scale and work their way to the other (see Will Eisner and Robert Crumb).
Comic art is used for educational and instructional purposes as well as it is for entertainment value. It has provided icons for our modern culture, even as it tore down that same culture or provided an escape from it. Comics are to art what water is to a Taoist: infinitely adaptable, ever changing.
This is why I consider myself fortunate to have some small talent for comics; comics are, literally, for everyone. I write them, draw them and color them. I also read them and share my love of them with others, old and young. Although I’ve worked in other artistic fields, I keep coming back to comics. The lessons I learn from another medium make their way into comics, and somehow the influence of comics keeps making its way into other artistic endeavors.
No other creative efforts have challenged me as much as has the creation of comics. This field is, for me, simultaneously the most rewarding and most frustrating work I have ever undertaken. Comics just demands so much of the creator. It demands that I know something about just about everything, as I could be called upon to draw anything at any given time. As a comic artist, I must be able to create a believable image of just about anything, be it real or utterly fantastic, and use that rendering to aid the narrative, convey action or create a mood. And do it in a few deft penstrokes. Usually on a deadline. On the other hand, it allows me to realize just about anything, be it real or utterly fantastic, with an effect as real and a scale as large as my mind and hand can convey, and with a budget no larger than the cost of a piece of paper and a stub of a pencil.
Yet when the job is done, comics is an ephemeral medium, flashed briefly on the screen or held briefly in the hand, then discarded or stashed away while the reader moves on to the next task of their day. In thinking about it that way, it makes you wonder why anyone would bother putting in so much effort to make good comics, and its probably that ephemeral nature that contributes to the perception of comics as an immature or irrelevant medium. Yet, if the comic creator has done their work diligently and well, they will have produced something, an impression or insight, that will last well beyond the short span that is spent actually experiencing the art. It is when that lasting impression is achieved that comics (in any format) has succeeded, and truly lives, as art.
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