Photo by Mait JüriadoLead guitarists can benefit in the ability to change amongst the principal scales and also the blues scale while improvising. The key scale has sweet, melodic sounds in a track, while the blue scale contrasts this by having a darker sound. This lead guitar lesson shows methods to employ these scales effectively.
A advantageous fingering for playing leading scales is illustrated here for the key of A principal. Play the initially note, A, with the initial or forefinger found found on the fifth fret. Do this found found on the initially string, that is the largest 1. One system to notate this may be 151. After this notation, the scale of A primary is built as: 151-171-191-2101-4121-192-3112-4122. This pattern is not really truly the only, nor is it the simplest fingering for playing a key scale. But it does have some blessings that would become apparent.
The future octave up found found on the A primary scale is continued in the same hand position where the last set of notes completed, as: 193-3113-4123-194-3114-195-2105. One might equally reach much of the third octave from this position, as: 4125-196-2106-4126. Getting to the final notes of the third octave demands another position shift, for playing: 1125-3145-4155-1126-3146-4166-4176.
The flexibility of the fingering pattern originates within the truth that countless notes of 3 octaves of the principal scale is reached from 1 hand position. Improvising at this position is furthermore, as it turns out, in the Phrygian mode.
Practice this scale, going up and down 1, 2, then 3 octaves. If flat choosing, alternate choosing up and down each note. Play slowly at initially, simply playing faster after perfecting the scale at a slower speed. When the scale is mastered, it is advantageous to transpose to different keys. For example, playing a G leading scale is completed with the same finger pattern, but beginning 2 frets down, with 131. The just difficult transposition is to E key, where countless notes is played on a open string. There are selected to the by placing the initially finger found found on the nut for those notes.
Now, to change to the blues scale, 1 only has to slide the hand position down until the 4th finger is at the note where the leading scale began. This position is for playing the relative minor key, F# principal in this case. To play the scale, begin with all the forefinger on F#. Play as: 121
Notice that for the blues scale, the third finger is stretched to the fifth fret on the fifth and sixth strings. This is because the third finger has more power than the fourth finger for bending strings for blues phrases. Thus, the blues scale is played mostly with only two fingers. This is where we get the term two-finger blues.
Learning these scales adds to your repertoire for improvisation. Learning to play lead parts for just about any song is just a matter of finding where your first note is. Either the major or blues scale pattern will work for most songs, and lots of songs sound great with both. The contrasting moods from these scales allows the lead guitarist to change the mood of a song without changing the key being played by the other musicians.