October 20th, 2007
Another beautiful review I had (with my pseudonym Vanethian) is this one at Splendid E-zine:
If you’ve ever caught yourself getting into the soundtracks that play in the background of sci-fi fantasy games, you might enjoy Futures Past. Unassuming synthesizers create a circumambient musical flow, taking you first to the distant and icy plains of Pluto, then back in time, where you’ll mingle with the shoguns of Japan and explore England’s age of chivalry. Born in Palermo, Manuel Marino, the man behind the music, started out playing solfeggio-style fingerpicking and jazz guitar. Marino’s heavy interest in role-playing games is evident on Futures Past; he takes his own personal enjoyment and translates it sonically through MIDI sequencing into breathtaking soundscapes that take the listener left of heaven into the World of Dreams. Taking Korgs, Rolands and Moogs to the next level, Marino remains modestly mindful of old masters Rick Wakeman and Alan Parsons when evoking his own brand of medieval methodology. From intergalactic battles to dystopian visions of society, infinite space is the only limit for Marino and his music.
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October 11th, 2007
I’ve been asked why there is no Reviews section. Well, if you search my name on Google.com, you’ll find many pages (in English and Italian languages) that talk about my music works. So, I don’t want to put a complete list of the links, but anyway I’ll post parts of the most beautiful reviews. I’ll begin with the one written by Bill Binkelman (Wind and Wire Magazine).
Here’s a part of the Review:
“Manuel Marino, a.k.a. Vanethian, records some of the best “pure” melodic synthesizer music around. He composes and performs in the same musical style as Larry Fast (Synergy). Manuel’s music is overtly electronic and yet rooted in pop-music sensibility (repeated motifs, refrains, and bridges); he (Manuel) has few (if any) contemporaries in this regard. Frankly, I’m always impressed with how good his music sounds.”
“Sophisticated listeners may hear Manuel’s (Vanethian’s) music and only discern overly slick pop EM. Myself, I’m a sucker for the hooks and expert musicianship that, in my opinion, Manuel excels at. As with the last album of his I reviewed, I make no apologies for how much I love his music. It’s chromium candy - polished, yummy, and never upsetting to my stomach, no matter what mood I’m in. I can see why this guy gets a shitload of videogame and computer game music work - he’s a wiz when it comes to hooks and he’s an EM engineering professional.”
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