1) Discover and memorize each of the five pentatonic and 7 diatonic scale patterns. Needless to state, this isn’t going to result instant. Play each pattern directly within the lowest note of the pattern to the greatest note of the pattern and back. Don’t do anything challenging with all the pattern. Play each pattern beginning because low found on the throat because potential (open string or initial fret), play the pattern across all six strings and back, then move up 1 fret and repeat the same pattern. Continue to move up 1 fret at a time until you’ve played the pattern at every fret you are able to well play. Consider this 1 “round” of playing a pattern. It can take you 10 or 20 or even more rounds to even start to become fluent with all the pattern. Personally, I submit hundreds, possibly thousands, of rounds of every scale pattern over the course of the several years in my teenagers and early twenties. In all honesty, that’s exactly what it takes.
2) Next begin functioning found on the patterns utilizing exercises – the type that have you play sequences of scale notes that are not only playing directly within the lowest note to the greatest note. Exercises like this is found online, and there are many of them in my course, Logical Lead Guitar, demonstrated on DVD and created out in tab and notation. These exercises enable you to become fluent playing the scale patterns in a non-scale-like fashion. And this might be the all significant bridge to really being capable to play lead guitar.
3) Next, start doing what I refer to as “puzzle locking exercises.” Scales fit together in 1 key up and down the throat like puzzle pieces, thus you need to function on sliding from 1 scale pattern into the upcoming pattern without going to the incorrect fret. That’s why I recommend these “puzzle locking exercises.” There’s a lot of them in Logical Lead Guitar, on DVD and in tab and notation.
4) Discover a melody – anything truly convenient and familiar, including “Twinkle, Twinkle Little Star” – in each of the scale patterns. No matter which melody you select, you’ll discover that it’s possibly simpler to play that melody in some scale patterns than others. After you’ve tried enough different melodies, you’ll commonly discover that there are certain melodies that function right in each of the five pentatonic or 7 diatonic scale patterns, and not very also in the alternative patterns. And at initially you could think that there are just a couple of patterns in which many melodies is played easily, and nearly all of the different scale patterns are not thus practical. But with time – and with all the exploration of more melodies – you’ll discover that every among the patterns has its sturdy points.
5) “Noodle around,” as I call it, in each of the scale patterns. Plan on doing a great deal of this, in the event you wish to become fluent at improvisation – creating your special solos – rather of just understanding how to play different guitarists’ solos. By noodle about, I mean that you really need to invest five or 10 minutes directly playing any and every simple, or silly riff or melody to discover in 1 pattern. Then choose another scale pattern and do it again for five or 10 minutes. You can do this unaccompanied, or you are able to place on a CD of some track by your favorite artist and play over the best of them. Really, you need to use both techniques to actually understand your chops. Actually, after you’ve performed this a limited instances and have started to feel comfortable doing this, it becomes kinda fun!
6) After doing a great amount of noodling around in each of the patterns, you really need to have started to locate particular licks that function actually perfectly just in 1 certain pattern. You should catalog these licks, at minimum in your notice, if not by composing them down (in tab or sheet music) or by recording them to refer back for them in the months ahead.
7) Begin understanding solos from your favorite artists, because close to “note-for-note” as possible. Use any resource you need to to receive the solo correct in the beginning – free tab off the Internet (several, if not these, are wrong, however); the exact songbooks published by businesses including Hal Leonard, Mel Bay, Warner Bros., etc.; DVDs, including the awesome Signature Licks series by Hal Leonard; or from a instructor or friend. And here’s a hint: If you are closer to beginner lead guitarist than expert, don’t waste your time struggling to run before you are able to walk. Whether you need to or not, you need to understand easy, slower solos before you’re going to be capable to tackle anything by Joe Satriani or Eddie Van Halen or Metallica or Avenged Sevenfold. Don’t bother striving to trick yourself, you’re only spending time. Understand a couple of easy solos, then move about intermediate solos, then begin functioning found on the harder stuff.