web analytics

Arts and Music posts

Blog

Manuel Marino Music Composer

Follow on LinkedIn

Ask me to create

a Cinematic Soundtrack

for your Game or Film!
Manuel Marino Music Blog

3d ArtArtsAudioBassBusinessCultureDrumsFluteGamesGuitarHobbiesInternetMasteringMoviesMusicPaintingPhilosophyPianoTechnologyViolinVoiceWritings

Manuel is a passionate, driven, and techsavvy AV technician, artist and music composer with over ten years of experience, specializing in the captivating world of music and entertainment.

Manuel is an expert in creating soundtracks for short filmsfeature films and video games.

Manuel Music Blog is a diverse digital platform where creativity and intellect converge, covering a wide range of topics from 3D Art to Music, and Technology to Philosophy.

It’s a collaborative space that features the insights of both Manuel, contributors and participants, appealing to enthusiasts across various fields.

With dedicated sections for different arts, instruments, and cultural reflections, this blog serves as a rich resource for those seeking inspiration, knowledge, and a deep dive into the myriad aspects of artistic and technological exploration.

You can find our Privacy Policy here: https://manuelmarino.com/blog/privacy-policy/

You can find our Terms of Service here: https://manuelmarino.com/blog/terms-of-service/

Creative Lighting Method – Nikon CLS

lights
Photo by JSFauxtaugraphy

The Nikon Creative Lighting System (CLS) is a wireless lighting program that enables digital photographers to control multiple speedlights effortlessly from their position. The primary requirement for this type of wireless triggering system is line-of-sight. This means that the speedlight units must be able to visually detect each other.

More specifically, the infrared receiver on the remote or slave speedlight needs to receive the signal from the master or commander speedlight mounted on your Nikon DSLR. The purpose of using a wireless system to trigger remote speedlights is to allow the photographer to quickly utilize multiple speedlights in various configurations, including but not limited to the following:

  1. On-camera speedlight as the master and key light, with one remote speedlight serving as a kicker light.
  2. On-camera speedlight as the master and fill light, with one remote speedlight as the key light and another remote serving as the hair light.
  3. On-camera speedlight as the master (no light emitted), with one remote speedlight as the key light and another remote serving as the fill light or kicker light.
  4. On-camera speedlight as the master (no light emitted), with one remote speedlight as the key light and three additional remote speedlights as

...Read the rest.

“Creative Lighting Method – Nikon CLS”