Film transfer, a graphical Art
January 25, 2009
Today we talk about film transfer. Indeed, it’s a technical process, so where can we find Art in this procedure? Often it is just a conversion of a Super 8 film to DVD or also 8mm to DVD, but sometimes it involves creative skills in restoring fragile 8mm, Super 8, 16mm film, 35mm slides and aging videotapes to the original clarity or better.
Film transfer, a graphical Art
Badly faded slides or prints can be rescued once they have been digitised. You can use a simple scanner, but you will get the best results using a proper film scanner.
Once you have the slides digitised then a lot can be done with the images, increasing image density by using blending modes and levels adjustment layers, cloning to remove blemishes, dust, mould and texture renewal.
All of this is done using professional graphic software, not so easy to use without a training.
About the creative skills involved in the procedure, the technician artist has to choose between different solutions, like colors or brightness. Choosing also a specific procedure instead of another involves a creative idea. So a blend of different skills, creative and technical are necessary in restoring old films.
Of course, the most important movies to restore are about unforgettable moments, like your wedding. But think also about other moments, like a graduation, a significant accomplishment, a sentimental place, the honeymoon, golden anniversaries.
They are unique memories worth preserving for remembering today and for generations to come.
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Mobile Games and Technologies Federico Elinger, owner of Pocketsol Games, wrote this exclusive article for us. Pocketsol Games creates high quality mobile games for the mobile phone based java platform (J2ME). The development studio is in Argentina where fun and addictive games are created for most of the actual mobile phones. Mobile Games and...... -
How to film an award winning movie with no money This is a very interesting story about a director with a great idea but no money. Kely McClung is a director writer actor editor. He's been able to film his movie with no money and very low resources. But he made it! The award winning Blood Ties is his first...... -
Surveying the Land of Scape Taegen Carter is a movie director. He is also the owner of Mythmaker Entertainment, a company that produces shorts and features in the genres of adventure, sci-fi, thriller and drama. Taegen tells us about the production of Scape, that should be completed around June of ’09. Let's read his words,...... -
How Has the Internet Affected the Music Industry? This article is written by web designer Josh Gutteridge who runs Skyte Media. Skyte Media is based in the Midlands (England) and is a professional web design company that specialises in web design and development. Josh would like to receive comments about this article on his blog. But of course...... -
Art, Communication, Connectivity Michael Marcus (also known as "Jacques Treatment") is a published author, poet, artist, and game designer; with George McVey, he has been publishing comics as "The Hamtramck Idea Men" on the very sensible grounds that they live in Hamtramck, have many ideas, and they are men. Joint work can be......
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Must-Have Hunting Supplies Since prehistoric times, hunting has been a true game of survival between our species and the world of animals. Gradually as civilization has become more civilized, and through advancements in technology, we have fine tuned this art of hunting into a true skill that not everyone can possess. Those who...... -
Benefits of Technology in the Classroom Nowadays, technology has become so pervasive, so essential, so advanced in society that its integration into classroom instruction is imperative. Of course, there have been past instances of the integration of technology with education, but these were limited to tutorials, drills, and practices using the personal computer. Not anymore....... -
Where Can I Find A Website Designer In My Area? Website Design is a combination of art, social science and technology. If you are to compete then you cannot ignore the web. Website designers used to love using frames, until they discovered that they cripple a website's marketing potential. Insist that your site developer not use frames when giving you...... -
Inserting a Diagram All SmartArt diagrams start out the same way—you insert them on the slide as you can any other slide object. That means you can either use a diagram placeholder on a slide layout or you can insert the diagram manually. To use a placeholder, start with a slide that contains...... -
Small Business 101: Useful Skills to Have (It's been a while, with the resolution themed week last week and everything else, but once again Small Business 101 is back, ready to help you start your small business dream off to the right start. Enjoy the fun of learning what skills you need to make your business a......
Raymond Thoughts about Games and Arts
July 23, 2008
Today we interview Raymond Jacobs, owner of Ethereal Darkness Interactive. Founded in 2002 Ethereal Darkness Interactive is commited to developing quality indie games with high production values. Raymond talks about his latest project, Morning’s Wrath 2, about videogames, Arts and technology.
Raymond Thoughts about Games and Arts
Manuel Marino: You are working on some new features for your next game…
Raymond Jacobs: yes, it is going to be Morning’s Wrath 2, the Sequel to our first game. You would be the first news source to really mention that!! As for the new systems… they are some various forms of internet integration with our new engine (The S3Engine 2.0) (version 2.0 of the engine used to make Malathedra). They will allow players to directly in-game leave comments to the developers about what they think of the game as well as submit any errors encountered via the internet automatically.
This is part of our new ‘internet technologies integration’ initiative as well as trying to know the minds of our target market better so that we can provider better games and faster fixes.
Sounds really innovative! The game reminds me Ultima Online…
Somewhat, though it is a single player game. In MW1 you had to fight off an invading army from taking over your castle along with learning the ways of magic though in doing so you get stricken by a terrible ‘dissease’ since the magical elixer that you use (mana) is by nature poisioned.
MW2 continues with this story, having morning lead her army across the continent to strike back at the invading Ashidian Army; and her search for a cure for her poisioning which is slowly driving her insane. It will likely be done in episodic format, and 3 episodes are currently slated.
Can we say that videogames are a form of Art?
Personally I consider videogames as a major form of Art but I don’t believe that people yet see games as an Art form, at least not the vast majority. They are still mainly an entertainment source however indie developers are definitely causing a movement of games as an Art form.
Flash games in particular have helped further this, allowing many traditional artists with limited programming skills to make simple games, which are avaliable to a wide audience.
As for my company everything we do is first a source of artistic inspiration and second a business endevor. We feel that without the artistic and creative backbone, what we develop isn’t likely to be enjoyable.
How technology fits with creative skills?
We limit ourselves to fairly proven technology, choosing not to push the technological envelope very much; but instead create a platform for creative expression; by creating a limited and finite set of functionality on existing technology it forces us to be creative, rather than to rely on technology to turn heads.
The newest HDR rendering may be very pretty, but beyond that it says nothing about the depth of a particular game, so in short, we use technology as a pedistal from which to express our creativity.
- Art, Communication, Connectivity Michael Marcus (also known as "Jacques Treatment") is a published author, poet, artist, and game designer; with George McVey, he has been publishing comics as "The Hamtramck Idea Men" on the very sensible grounds that they live in Hamtramck, have many ideas, and they are men. Joint work can be......
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Living as Independent Developer Today we interview Andres Martinez, owner of baKno, a game development studio located in Key Biscayne, Florida. They are a group of video game enthusiasts committed to developing new ways to deliver fun, interactive and challenging software. Living as Independent Developer Manuel Marino: You declare yourself and your team as...... -
Reading for fun This is a nice article from Isaac Marion. Isaac has been running the online textual variety show, BurningBuilding.com, since 2003. He lives in Seattle, Washington, where he works various mundane jobs while trying to make his writing/music/art career take off. Reading for fun Recent studies have shown that across the...... - Game Engine Dr. Roberto Dillon has written this article about his Music-Emotion Driven Game Engine. I think this idea to really have potential. Game Engine In the fast developing world of videogames, sound has traditionally played a less important role than other features, such as graphics. Nonetheless, recently, due to the latest......
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Appreciating Video Game Collectibles Everyone was young once- And when you were young, you probably played video games. Throughout history, we have amassed quite a collection of video game collectibles. Video game collectibles are video games, video game consoles, video game accessories and video game memorabilia that are vintage or antique, or that are......
Creative Ideas (Part Two)
November 7, 2007
This is the Part Two of the powerful article by Deremiah. (Part One)
Creative Ideas (Part Two)
RELATIONSHIPS INFLUENCE THE POWER OF YOUR IDEAS…
Brian Tracy who has done a lot of research to compile the information in his wonderful book “CREATE YOUR OWN FUTURE” expresses in Chapter 7, page 115 that Relationships Are Essential toward the development of your future. The Power of Ideas are improved by the friendships we develop and nurture. Most people underestimate how their friends impact the direction they are going and will continue to go in as a result of the company they choose. Sometimes you have to realign yourself with new partnerships in business, new personal and business relationships just to place yourself in a more positively influential environment with others who have the same values that you do. When you begin to hang out, spend time talking with people who reflect the kinds of attitudes that uplift you. It’s just as important to get yourself moving in the right direction as it is to get an electric current to the right appliance or device you’re trying to power. Like electric current powerful ideas have to be directed. It’s very important that if we want to be successful business people that we need to hang out with other successful business people. If you want to be elevating the level of the power of your ideas you need to begin to elevate your level of friendships. Edward Bernays said it best in his book called “Propaganda” where he references many times that a large volume of our society is often being governed by a small handful of influential people. So who are the small influential players in your commiunity? How could you influence the relationships you desire to have in the art world, the music world, or the business world that governs a great deal of the future direction of those industries? Finally how can you gain recognition and be known as one of the Kings or Queens of your industry?
ELECTRICITY AND THE POWER OF IDEAS BOTH OPERATE IN STREAMS…
Real electric power moves in streams we call currents. Those currents flow in the direction we aim them in. Now the Power of Ideas works the same way. The more powerful the idea the more others join in to move along with the flow of our stream. So it becomes very important that others know that the ideas that we have are electric. The sooner others find out and hear or see the impact that our elecritc current has the better it is for us and the sooner they can jump into the stream and add to the flow of the current. When an idea doesn’t have a charge it will fail to add it’s electricity to the atmosphere. It’s like the creative atmosphere of our house when I was a child was conducive for bringing about more artistic gifts because the atmosphere was charged with a certain current for the arts. How can you charge the atmosphere of your home or your job to create the type of electricity that gives your ideas the power to channel themselves into a boisterous stream that grows?
WHAT YOU CAN DO RIGHT NOW TO INFLUENCE THE POWER OF YOUR IDEAS.
I have over 21 things you can do to unleash the “Power of Ideas” but I’ll give you 4 today that will free you up to live more creatively right now. If you’d like to get 3 more Free ideas shoot me an email at deremiahcpe@gmail.com . And the first 20 people to respond who use the headline “More Power of Ideas for me, Deremiah *CPE” and give me their name and mailing address I’ll give you a Free opportunity to coach you via email (which means I’ll respond to no more than 7 of your emails…working toward helping you to solve the problem). Here are the four I said I would share with you right now.
1.) Make a list of 7 people you’d like to meet and then get on the internet and get to introducing yourself.
2.) Get a journal today and start using your journal like a Fishing Net to capture all the ideas you’re loosing.
3.) Turn your TV off for the next 30 days and dedicate your TV time to making one or more goals develop.
4.) Get a pack of 25 Thank you cards and force yourself to Thank at least 5 people everyday.
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Reflections on some well loved Poets Ziggy Olivier wrote this article. He met Dylan Thomas and spent some of his youth drinking whisky with him. He said me: "Everything you may have read about him was true." Reflections on some well loved Poets Approaching my own demise, I was delighted this Christmas to receive from...... -
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Comic Art Mike Dominic wrote this article for us. He is a freelance illustrator and comic artist living in Halifax, Nova Scotia. He has produced work for both print and online comics, including his own webcomic, The Journals of Simon Pariah. He has written articles about comics for Sketch magazine and 24......
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Creative Ideas (Part One)
November 1, 2007
Like the power of electricity your Ideas have greater impact when they rapidly flow in concentrated streams of thought. You’ll find this and more in the article wrote by Deremiah, exclusively for ManuelMarino.com . Deremiah *CPE (Customer Passion Evangelist), is the winner of the 2004 Nightingale-Conant Acres of Diamonds Award and one of the top marketing experts on MarketingProfs.com. Deremiah (www.byderemiah.com) writes extensively on marketing and business communications. Learn more about Deremiah and his easy to read smart book, 52 Great Weeks: how to quickly develop unforgettable, inspirational service when you don’t have time. Contact him at deremiahcpe@gmail.com.
And now… the article:
The Power of Ideas (Part One)
Although I’ve been drawing most of my life I can only really remember having the ability to control this talent somewhere around 4 years old. By the time I turned five I got a hold of an oil Paint by Number set. It was one of those cheap simulated board canvases with numbers that matched the numbers on the small plastic oil paint containers and they came with a few red enamel paint brushes. My mom who was very creative used these paint by number kits to paint pictures for the walls in the duplex we lived in. She often did these kinds of things along with sewing clothes. In between all this she’d drive out to the military base to create these ceramic roosters and salt & pepper shakers she used to make. Every now and then she’d take me along. There were very large multiple rooms like a cafeteria style set up and most of the attendees were military housewives. In one area they’d create the ceramic figures, in another they’d paint the figurines and in the last room is where they’d fire the objects that were painted in these ovens they called kilns. We were living in Fairbanks Alaska at the time because my dad was stationed there in the U.S. Army. During this time my father had an amazing collection of music and he used to love to sing in his spare time. But occasionally I would find him at the kitchen table doing a few figure drawings of people. My dad was very good at drawing full figure images of people and it was during this time that I began to recognize that I too had the gift to draw and the power to control my ideas. In this kind of environment burgeoning with creativity is where I uncovered multiple gifts. This is also where I experienced the beginning of my discovery of how diverse gifts influence one another and spring forth through the power of ideas.
THE OUTER WORLD CREATES ENVIRONMENTS FOR THE INNER WORLD…
It is easy for most people to see how we are shaped by the environments of our communities. Having lived in 13 cities here in the US and two cities in Germany and being a teacher of history I see very clearly how environments affect everything. We are all shaped by the geographical land masses, oceans and climates of the environments we live in. Those things alone dictate everything from what kind of clothes we were, which trickles down to how we look, what kinds of crops we grow, the things we manufacture, what we eat and even how we speak. But it doesn’t end there we are influenced by cultures, religions and the races of people and these things likewise affect everything I named above. However beyond those basic influences of culture, religion and races and our environment there are other things that also affect how we think and eventually how we behave. And with all these outer influences shaping and affecting who we become it is so easy to forget that there is an inner world of influence…a world of thoughts and ideas that eventually have more impact upon who we become than all the changes in weather put together could ever have upon us. It is here in the environment of our inner-hemispheres that we have the greatest control upon our present condition when we use the power of ideas to fuel our successes.
IF YOUR IDEAS ARE POWERFUL THEY’RE INFLUENCING THE WORLD…
Are your ideas influencing the world? Shoot me an email at deremiahcpe@gmail.com and share with me how your ideas are influencing the world. Think about it! It was the power of ideas that brought your parents together. And the power of their ideas that influenced the future of the world’s collective ideas when you were consumated and birthed into this planet. Every member of the world is a part of the collective governing body of our world, our countries, our cities and our communities through the power of ideas. From Steve Jobs release of the iphone to CNN’s release of the news everyone is influencing the power of ideas. Every person within this creation we call earth has the complete authority to change the future direction of this world through the ideas they release. Whether their ideas are productive or unproductive they still have influence. Like the butterflies in China can impact the weather in Italy we have the ability to affect the future climate of ideas. But the kind of effects that we desire to have must be considered before we take action. Often times our ideas are creating environments for us that are not strong enough to resonate the kind of powerful influence we want them to have. If you desire to really use the power of ideas to work in your benefit remember that powerful ideas have a life force that is very influential. So don’t you want to start thinking about choosing the kind of ideas that could really influence the world? (Part Two)
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Recording Music Industry This is a post I've received from Julien Bernier-Haineault and he is a music producer from Quebec, Canada. He made several songs for a lot of bands that never really got appreciated to their real value. I can say that trying, failing and trying again, now he absolutely knows a...... - Music Arts, Orchestra Music, Music Compositions... Music Arts, Orchestra Music, Music Compositions... being Artists, Fine Arts, Poetry... In few words: Music, Arts, People and Ideas. What links all these words together? It’s not difficult. But first let’s begin studying the term “artist”. It means “One, such as a painter, sculptor, or writer, who is able by......
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Freelance journalism
October 27, 2007
Christian Toto is a Denver-based freelance reporter specializing in arts reporting.
He can be heard on three US radio stations, as well as occasionally on “The Dennis Miller Show,” which airs across the country.
He got his first byline as a young boy with his hometown newspaper. He reviewed “Close Encounters of the Third Kind” and the paper misspelled his name.
Howard Stern, the radio bad boy, once read one of his columns on the air.
This is his story.
Freelance journalism
This isn’t exactly the best time to reinvent oneself in journalism. If newspapers aren’t dying, they’re very sick and doctors aren’t sure what to prescribe.
That didn’t stop me from quitting my job at a metropolitan newspaper and traveling across the country for the chance to start a family and buy an affordable home.
Priorities are priorities, but I feared giving up doing what I love for a living – writing movie reviews and entertainment features.
Thanks to the Web and some creative thinking, that hasn’t happened – yet.
Since moving to Colorado I’ve been able to continue my movie reviews but in a freelance capacity. The adjustment to being my own boss has been enlightening. My commute entails shuffling from the bedroom to my office, with no reason to check shadow traffic reports for fender benders or overturned trailers. Nice.
But the amount of rejection I face each day makes me long for the security of a regular gig. That’s where the Internet came in. I decided to create my own Web site, attempt to brand myself and see where that might take me. I know less than zero about HTML – heck, I didn’t know it was now referred to as XHTML, and I had never heard about CSS either.
For starters, I decided to leverage my last name, Toto, as something that sets me apart from the competition. Thus www.whatwouldtotowatch.com was born. Silly? Perhaps. But after decades of “Wizard of Oz” ribbing, that name had to start paying dividends.
I began the site on a blogger platform, but I soon changed it to have my own domain name.
But boy, was the site genetic. It took me weeks of poring over a comprehensive XHTML starter book to learn how to tweak the site and add some usable content.
That learning curve remains steep, and my site still needs a considerable amount of work. But web design wasn’t the only area where I needed to stretch my brain. Marketing my Web site required another skill set I lacked. The Web actually helped me out here, and with a few google searches I found a number of ways to spread the news about my new site.
Today, www.whatwouldtotowatch.com receives a modest amount of visitors, and every time I pitch a story I direct the editor to my home on the Web for further details. Blogging on a daily basis also makes me a sharper writer, or at least one who can pound out paragraphs at a steady clip. That efficiency will serve me well someday, I bet.
In a year, I might be writing press releases for some faceless think tank, or correcting grammatical errors for a local company’s human resource division. I’ll probably double my salary in the process, but if I juggle my web efforts just right I can avoid that fate.
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An Artist Portrait (Part Two)
October 14, 2007
This is the Part Two (and final part) of the true life story as artist written by Frank V. Cahoj for our Weblog. (Part One)
An Artist Portrait (Part Two)
I give an unbelievable amount of credence to these two early periods in my life: one of everlasting creation, one of analysis and disillusionment. The reason is simple—these are both traits that an artist must possess in order to fully utilize their natural talents. We must be willing to create at all costs, no matter the outcome. We must hunger for the process of creating, and not focus entirely on the results. If you do not enjoy the process of creating, how can you stand behind your creation? Yet, simultaneously we must be perfectionists, and run a fine-toothed comb through our ideas and inspirations. We must develop our ideas scientifically. We must understand our concept, our message, and our reason. If we fail to understand why we are creating, we will lose our focus, and quickly gold becomes dirt.
I had some help returning to my creative roots; my cousin was an artist who possessed more talent in his eyelid than I did in my whole body. When we would get together to play, I would spend most of the time watching him draw. He was older than me, and much more progressive, and his outlook towards his art seemed so nonchalant, so natural. He would just sit down and begin to draw. I remember him drawing a dragon with such impeccable detail, such precision. I wondered why I struggled so hard with it. Was I even an artist? Maybe I was an imposter. What made me more of an artist than the neighborhood kid down the block who ate crayons and bugs and still wet his bed and created nothing but trouble for his mother? I couldn’t answer any of those questions. I decided, then, that the only way to find an answer was to try to be an artist and see what happened. That’s it! I would try to be an artist again! I would draw, and paint, and create. I would create without consideration for the outcome, yet I would clearly define my premises, my point of view, my focus. I would use the lessons learned from my two early experiences to create art that was significant and relevant. So that’s what I did. I started to really create things.
Throughout High School, I was the “art kid”. I took every art class my High School offered. I failed Algebra 2, yet amassed enough math credits to graduate. I failed Physics, but excelled in most other sciences. Besides art, the only classes I willingly added to my schedule were Literature and English—I loved to write—and Music. My senior year, I had gym (required), a study hall (basically another art class without a teacher), an Advanced Placement Creative Writing course, and six art classes. I literally sat in the same classroom for more than half the school day, working on six different art projects simultaneously. I overloaded myself. My art consumed me. I became so enchanted by it and everything it stood for and the way it made me feel. I pounded out art like I was an assembly line in a factory. I sold art to my teachers; I sold art to my family and friends. I gave a lot of art away. I was successful because I was passionate. The pieces themselves had no real value to me; what proved valuable to me was what my art meant to others. I learned my final lesson in being an artist at that period in High School: there is no artist, living or deceased, that created art for themselves and themselves alone. An artist creates for others. If we, as artists, are indifferent to the public’s perception of our work, our success will loom in the darkness of our own selfishness, and never fully be realized. High School was my own tiny renaissance. I will never forget those days.
I took the next step in my desire to be an artist by attending the American Academy of Art in Chicago, IL. The Academy, as we called it, was a wonderful place. The school was just two floors of a high rise in the heart of the city (known as the Loop), sitting on Michigan Avenue, The Magnificent Mile, one of the most famous avenues in the world. There were only about 300 students. The faculty was representative of the greatest Chicago had to offer in the world of art. The school focused on curriculum for artists, not arbitrary curriculum for the general student; our science credit was an anatomy class, in which we drew from a live nude model and were asked to see through their skin and study their bones and muscles, drawing our observations on paper. Our math credit was titled Quantitative Literacy, where we focused on geometrics and design and how math related to the Renaissance and Leonardo DaVinci. It was an artist’s Mecca. There is no better place in the world to practice art. The architectural brilliance of the City, coupled with the diversity of its people, access to one of the best art museums in the country (The Illinois Institute of Art Museum), a fantastic art district where galleries and art stores abound, and a park system as peaceful as that of rural America in the middle of a bustling metropolis, made it easy to be an artist.
Attending an art school like The Academy is like living in a hostel with 300 other individuals who share your exact passion and who, in essence, know everything about you, because you are them. You perform all of your tasks and ventures together. There is no privacy or even the expectation of privacy. You are draped with inspiration at all times. If you slack off, it is not your teachers who pull you back to earth; it is your peers. You learn to succeed as a unit, and realize that the community is much larger and more important than yourself. When 9/11 took place, we were all just beginning our first class for the day. Students began getting taken to the administrative office one by one to receive phone calls from their families who were worried sick about them. They were worried about their sons and daughters being in the heart of a major American City when we were under attack. We looked out the window of our classroom onto Michigan Avenue and witnessed a mass exodus of people heading away from the city, towards every subway station and train station and bus depot, trying to escape the city limits and the looming shadow of the tallest building in America, the Sears Tower. Cars couldn’t move because the roads were flooded with people fleeing the city on foot. No one knew what was going to happen, or if our city would be next. Yet in that moment of complete chaos and disaster, there was a warming comfort flowing through us, knowing that we, the students of The Academy, were together and had each other to rely on. It was a community in every sense of the word. And it bred the best artists I have ever associated with. I spent three and a half years at The Academy, before economic reasons prevented me from returning. Education isn’t free, or cheap, or affordable, especially for an overly ambitious kid from divorced parents with no money.
I left The Academy to pursue a career in Human Resources and make some money for my family and I. I learned a great deal about community and people and relationships during my college career, aside from all I learned about art. I felt I could take that knowledge and apply it to a career in Human Resources and Recruiting, and I have experienced success thus far. I chose this career because I feel that the Human Resources function requires a creative mind. Dynamics change all the time when people are involved—there are no constants. Companies must create new ways to attract, retain, train and develop quality talent. The black and white has turned decidedly gray, and with the advent of the internet, open job boards, the loss of anonymity in our world and Web 2.0, new, creative ways to recruit must be considered. I would like to believe that my transition has gone over without a hitch.
I still paint and draw and write and play music. I will never stop doing those things. Making money in art was never my goal. I pursued art because I had a passion that I couldn’t ignore. If money is your motivation for creating art, you will find yourself in constant search of inspiration. Money does not inspire, it empowers. Artists do not need to be empowered – we were born with that.
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An Artist Portrait (Part One)
October 12, 2007
This is a fantastic article written exclusively for my Weblog by Frank V. Cahoj. Please feel free to comment here or send him emails. He’ll be happy of this.
An Artist Portrait (Part One)
My name is Frank Cahoj and I have been an artist since I was born. I can say this in confidence without remembering my birth or much of the first years of my life: I can say this because one is either an artist or one is not. Technical skills, knowledge, know-how, are all irrelevant. There is something in the genetic makeup of a human being that makes them an artist, and it is sewn within them from birth. However, there are those who do not recognize this, as being part and parcel to their existence, and may still not become an artist even though they possess the blueprint. It is through recognition as well as possession that an artist can truly exploit their divine talent. Since birth, I have attempted to hone in on this skill, at times successfully, at times bitterly unsuccessful, most often unknowingly, and to use it to my advantage in life, business, social and cultural situations.
I spent most of my childhood dreaming these unbelievably lofty dreams. I created a furniture manufacturing company when I was eight years old—I was going to build furniture out of two by four scraps my uncle had in the garage and sell the pieces to anyone willing to buy. I created a barbershop when I was five, in the backyard, with the goal of cutting neighborhood kid’s hair and inadvertently horrifying countless parents. I created an advertising agency—Icon Solutions Inc., when I was eleven; the business plan is still in a trapper-keeper folder in an attic somewhere. I knew nothing about any of these things, yet my drive to create and be creative at a grassroots level negated any lack of knowledge I had on the subject. I wanted to see things cultivate. I wanted to be inside of a creative process at all times, without the responsibility of seeing any of it through. I thought, “if I can perpetually be in a state of creating—I will never get anywhere—but I won’t be bored!” So I created these things that never happened, because I never let them. Once the creating was done, I went on and created something else.
Somewhere along the way I matured, partially, and primarily out of necessity. My parents were divorced early in my life, and the burden of growing up, and growing up quickly, was a condition of survival. I learned about money, and what it means to have money, and what it means to not. I realized that creations that amount to nothing and never materialize become ghosts and vanish without a legacy or a memory of them. I had created so many things that I had no idea what I had created and why. Suddenly I had no use for all of these things; they were invisible to me. My focus shifted. I became instantly a perfectionist. I began to analyze and research everything I did before I became too involved. I would weigh the pros and cons long before implementation of anything I wanted to do, whether it be going to the park or writing a story or playing a video game. I became anal. And I became very, very, very bored. I stopped creating for a while. I didn’t feel like it. I played with toys and became entrenched in sports; I gravitated to things that were physically concrete, that I could touch and use and that were practical. I left the abstract for the benefit of escaping my own drive to create, in fear of utter and lifelong disappointment. This, all before the age of thirteen.
You’ll read Part Two in the next days.
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Music Arts, Orchestra Music, Music Compositions…
October 11, 2007
Music Arts, Orchestra Music, Music Compositions… being Artists, Fine Arts, Poetry…
In few words: Music, Arts, People and Ideas.
What links all these words together? It’s not difficult. But first let’s begin studying the term “artist”. It means “One, such as a painter, sculptor, or writer, who is able by virtue of imagination and talent or skill to create works of aesthetic value”, but also “A person whose work shows exceptional creative ability or skill”.
If we agree that whenever we have exceptional ideas and we are able to create from them a work of aesthetic value we can be considered “artists” then you know what links all those words together: creativity, the ability or power to create.
And on these pages you’ll read about Arts in general, and much about Music (my world), about Ideas and People who had them and created through them… and about You, yes about You, reader, because maybe you don’t know, but there’s an Artist somewhere, think about it… somewhere inside yourself.
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