Listen to Music Online

December 19, 2009

marinosounds310 Listen to Music OnlineMany asked me to write a post about the Music Pages I’ve got in my websites, so you can easily Listen to Music Online :)

Ok, let’s start then. The first page is the Music Demos page here at ManuelMarino.com.

You can find it also in the top bar, title is of course Listen to Music Online.

In this page I’ve collected the latest tracks I’ve produced in 2009, mainly orchestral and film music, but there is also Astronauts and Funk Music whis is a mix of different styles, from choral to jazz, pop and funk.

You can access also to my Free Mp3 Player.

This Mp3 Player contains mixes from old tracks, mainly 1999 produced tracks, and later years.

These tracks come from my old archive of my CD’s published on Mp3.com in those years but there are also independent demos made just for fun and to show my talent as composer and producer.

After Mp3.com experience, I focused on games soundtracks and you can listen to some of them through my MarinoSounds.com Studio page.

Just check the pages of the multimedia projects listed in the homepage.

Last but not least, MarinoSounds.com has been totally renewed, new graphics and new design. There is also a new logo saying Blasting your mind with unique sounds.


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Astronauts and Funk Music

February 26, 2009

astronaut Astronauts and Funk MusicToday I create a new category, named 2009 Music Demos, where I’ll publish totally new music tracks made with the latest gears but with the same talent behind: myself :)

These tracks are demonstrations of my skills and creative ideas and in each post I’ll explain the inspiration that moves them, the images I would like you to see while listening to them and the feelings.

Astronauts and Funk Music

This first post is dedicated to big 80s space operas, movies, novels and sci-fi culture. This is also a trip to old good 80s with their catchy rhythms, synths and guitars.

This first demo starts with a space choir, an opening orchestra and choir theme, I can say epic and grand, that creates images of galaxies, shuttles, astronauts and the infinity of the universe.

The choir evolves into a rock instrumental piece, with 80s synth effects that add a spacey feel to the entire track. I can name it “space rock”.

The next style is jazz, a universal style that will never end to please our ears, today, and in the next centuries.

Synths are back in an 80s pop mix, while a really catching funk part ends the demonstration, making us really uplifting and excited.

I dedicate this music work to Richard Garriott, Lord British in Ultima and significant figure in the video game industry.

On October 12, 2008, Garriott launched aboard Soyuz TMA-13 to the International Space Station as a self-funded tourist, returning safely 12 days later aboard Soyuz TMA-12.


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History of Music and Current Recording Industry Crisis

March 21, 2008

violinist History of Music and Current Recording Industry Crisis

Roger L. Bagula wrote this exclusive article for ManuelMarino.com.

History of Music and Current Recording Industry Crisis

In a time when the whole future of how music is distributed is in question, maybe we should look at the history of music for a guide.

Many of us find music is a part of our everyday life; both in terms of listening and making it. I have an egroup on the archaeology of prehistoric men. Music seems to have been part of what distinguishes men for other beats. The discovery of a bone hollowed out to make a flute by Neanderthals has made many speculate that music is one of the oldest “preoccupations” that didn’t actually produce survival rewards.

We picture men with low foreheads sitting around the campfire playing bone flutes and beating on hollow logs. The man who was good on the flute had to be subsidized by the other hunters. In the Sahara Arab culture the women are the make the music. There are ancient Egyptian drawing of people playing stringed instruments, The god Mot is said to have had music in his temples. The ancient Greeks had a very well developed theory of 5 tone music as well.

In the European tradition what is called “church music” was actually scripted in a staff in 8 tones during the medieval era. In both church and secular life music was an everyday entertainment and some people spent their lives as singers in the Jewish Cantor tradition. At this time a distinction between “holy” and profane (dance) music seems to have been made.

The age of reason gave us Bach fugues and well tempered music with twelve major tones instead of just 8. Keyboard instruments appeared in churches and the drawing rooms of the rich and famous. Europe was a center of world culture in the arts and sciences with university courses being taught in music theory.

Revolt against this almost always pleasant sounding music turned up in the form of Schönberg and his ideas of twelve tone sequences. Others experimented with expressionism and what they called “tone color” in trying to match the music and art of a puzzling modern world.

But little known to the European intellectuals a new music form came to life in America based on a African folk form and being fostered by the black community quite by itself. Jazz was a free form music where chord forms called progressions were used and many of the people playing the music couldn’t read sheet music at all. It involved syncopation, drums and rhythm fugues as well as multi-melodies in an ad lib setting. It was involved in moods as the blues and dance in terms of swing and jitter-bug and was considered profane in many white communities. Until recording and radio it was pretty much played for free in clubs where blacks went at night . But even as simple as the chord progression were it displaced classical forms in the hearts of most of the world’s population in less than 50 years form Rag time in 1900 to the 1950’s Rock and Roll. In the materialistic society success came with money and records by these artists sold so well that they became the new rich of the 20th century.

In the ’60’s I met a black sargent (hard stiriper) in Army who did this odd kind of poetic singing that he called rap. We all scorned him because we knew that Rock and Roll was king and it was here to stay. Again out of the sub-community of the black in a America and off shot of funk music used as backing for this rap singing came out of seeming nowhere in the 90’s to become a real musical movement world wide. The poor black was angry: he had been promised “equal rights”, but he got welfare and lingering on street corners while dope dealers preyed on him and his community.

Urban renewal meant that he was shoved out of his generational neighborhoods so that up town whites could have new condos closer to work. Gangs took control of streets and whole communities and had shooting wars while the mostly white police forces hid in their substations until the shooting stopped. As far as I know there has been little reform in response to this widely popular music style and the angry and profane words involved.

Another trend in music has been multi-tonality. Everyone knows listening to a slide trombone that there are an infinite scale of notes possible to music. Mostly we think in terms of a scale based on powers of two. The twelve tone scale came about when the Greek pentatonic scale was rationalized with the church 8 tone scale. Adding an C flat and an F flat (or two more sharps) seems to even out the keyboard in 14 tones instead of 12. The Arab musical intellectuals who were influenced by ancient Indian musical theory added twelve “between” tones and special Indian like tuning forms. To western ears Indian and Arab music has a unique blue or “color tonal” feel to it that is attractive to a mind tired out by a limited tone scale of 12 tones.

In the early 20th century an electronic instrument called a Theremin was invented using the electronics that came with shortwave and AM radio. This instrument involved producing tones of all kinds of sine waves. By the 50’s this kind of music found it’s way into science fiction classics as Alien music.

In the 60’s with the use of computers the digital slicing and dicing of sound had started. The result as we all know is the compressed digital sound file called the mp3, but electronic music had become more than this ! From digital midi sequencing and interfaces that captured keyboard notes as score notes on an electronic staff to distortion electronics that could make a guitar sound completely different with feedback and reverberation effects, new music that had never been heard by human ears before was being invented and circulated. Like rap music, it wasn’t at first very easy to get such music to the mass audience, but the European “House” dance music of night clubs began to change that in the 80’s. Here a century long decline in European music began to turn around, so that the German school of electronic music is a leader in innovation and Americans seem to be trailing behind?

The conversion of the CD digital formate files (Aiff and wave) to mp3 in the 90’s by Classic Mac SoundJam which was taken over by Mac and called iTunes made upload of digital files to the Internet easy. People began to share their favorite music internationally. Downloads of digital music even at several megabytes each became very common.

The recording Industry being on the back end of this movement and historically behind in the innovation curve was caught unprepared. They began suing private citizens (college students who are the poor). For the rich to be openly prosecuting the poor for the crime of “downloading” became the democratically most unpopular move in ages.

It is the royalty money from the sale of recoded media that has made the new music rich like the Beetles. The failure of recording industry executives to find a way to plug this hole in revenues seems to signal a decline in such music as a way of passing music around that has been popular since the 1920’s and AM radio started it off. Before that it was sheet music that passed the music from one place to another.

The result of this crisis is that we are faced with a change in how music is given to the public. From my own experiences the recording industry corporate model hasn’t been a perfect one. We are looking at an art form where their are several kinds of artists who need to support their families: composers, performers and song lyrics writers. If these people “suffer”, then the listeners will be affected shortly after in not being able to get music that they want.

Survival and eating are usually a little above making music on the daily calendar.


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Ragtime!

January 9, 2008

piano Ragtime!“Perfessor” Bill Edwards wrote this exclusive writing about his passion, Ragtime! It’s a personal and entertaining article as well as enlightening.

Ragtime!

So Manuel finds me and he asks me to contribute something here in my field of expertise. “Write something about ragtime,” which is passion and profession. Really? Kewl. Although it’s a double-edged situation, since I’m trying to convey that passion and some history, the good part, in a few words to a rather wide audience, the tricky part.

I have to start with what ragtime is and is not, and why it’s important. That will be today’s topic, and will hopefully lead to more.

What ragtime is NOT is hokey music played on out-of-tune pianos in smoky bars full of drunks singing off key. It is also not silent movie background music. Sure, it has been used in these contexts, but it is much different and much more. It is the beginning of popular music in the world as we know it today. Picture a musical funnel, if you will. On the upper end are Western classical music forms of the 18th and 19th centuries, including sonatas, gavottes, waltzes, even some symphony and opera. Coming from Eastern Europe you have marches and mazurkas. From Spain and South America come the Latin-tinged influences, many of which actually correspond directly to African rhythms, including the famous habañera. To spice things up throw in the Negro call and response spirituals of the American south, and the European-based folk songs of the Eastern US.

All of these forms mix into the mouth of this funnel to create a hybrid – the march form with the classical development and Afro/Latin-rhythms with folk melodies that are syncopated. That was the basic origin of ragtime in the 1890s. It was the first music truly indigenous to the United States. By 1905, at least in the US, almost all music written here had something to do with ragtime. Even the intermezzos and waltzes were syncopated to a degree.

Now picture a string next to the funnel. That is a form that co-developed with ragtime and mixed in with it, yet remained on its own. The name of this form is the blues, a unique 12-bar development (sometimes 8 or 16) that permeated ragtime, and even the verses of many ragtime songs. Frankie and Johnnie, although it is ragtime, is also a blues number.

Spewing out of this funnel you have forms that comprise most popular music in the Western world today. Ragtime is the direct ancestor of … [deep breath]

Country music and bluegrass (ragtime guitar picking), jazz (improvised ragtime and blues), popular song (syncopated pieces that started in the early 1900s), swing (blues again), rock and roll (again blues with syncopation), and rap.

“RAP” you cry? Yes. A black colleague of mine has come to the same conclusion. Rap is an asymmetric form of lyrical poetry that is highly syncopated and urban. Many of the lyrics of the so-called “coon” songs of the ragtime era, as unfortunate as some of them are, can readily be recited as rap and pass in today’s pop world with little modification. Even lyrics written to Scott Joplin’s famous Maple Leaf Rag talk about razor blades and fights and attitude: “Oh go way man, I can hypnotize dis nation, I can shake de earth’s foundation wid de Maple Leaf Rag! Oh go ‘way man just hold you breath a minit, For there’s not a stunt thats in it wid de Maple Leaf Rag.” I also have a rap soundtrack I use for this song during school presentations, so it remains current and relevant.

What is ragtime? Any music that is syncopated over a steady beat. In the North America and most of Europe and Australia, that’s almost ANYTHING.

Being a historian is a bit like what the CSI people do. You have a result or a conclusion, but you want to find out how that result or conclusion was reached. Some people ask “where did I come from?” I do the same for music as an advocate. Before ragtime the pieces that were popular were mostly actually kind of tragic. Think of how many songs you can write about orphaned children, shamed women, sinking ships, death, despair, etc. Those were the big hits of the 1890s. The music was somewhat tepid too, with reiterations of waltzes, marches, galops, etc. that did not resonate with many in the public. Then ragtime appears, and it’s the original Rock and Roll. Really.

Let me prove this, and keep in mind trends in our lifetime, be they Stray Cats, Nirvana, The Who, Elvis or Chuck Berry:

It was largely a music developed in the black community.

Kids loved it and parents hated it – “Turn that damn piano down”

It was more urban and less genteel, causing people to move their bodies in shocking manners.

It was banned by the musician’s union in 1902, and vilified by religious establishments.

Not convinced? OK. Most music written to that time in the US could be played on piano, organ, guitar, etc., and was generic in performance. Ragtime was the first US-based music specifically composed for piano. A typical upright piano is around 350 pounds. Of that, perhaps 190 is the cast iron plate. Add in another 50 for metal strings, 10 for tuning pins, and 20 for assorted screws, connectors, weights, etc. and you have only 80 pounds of wood and over 270 of metal. Therefore, ragtime was America’s first Heavy Metal Music.

That’s fact, and you can’t have opinions about fact, right?


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