Sounds like music and networking

Wizzit Magazine interviewed me about Blogging and Social Networking. I have to thank Matti Mattila, the reviewer and open networker. If you remember, Matti wrote A musician story. Here is a short excerpt from the magazine article that you can download here in pdf format.

Sounds like music and networking

Matti Mattila: About blogging, you have an active blog, when did you start writing it?

Manuel Marino: I started ManuelMarino.com in October 2007.

What inspired you to first start blogging?

First of all the idea to freely surf and read everything about anything always fascinated me. I think this is why people love to have many blog feeds to read daily.

Next to this idea is the one to freely write interesting articles for the Internet community. Both gives a kind of freedom that I never felt before.

What is your blog about?

ManuelMarino.com is about music, arts, philosophy, poetry, independent artists, humanities and freedom. I invite experts and sincere professionals and artists to write articles.

I believe very much in freedom, honesty, sincerity and I’m able to feel these when I meet people. There are many good persons in the world, but sometimes we are too much obsessed by everyday life to understand this and find this.

How much time do you spend blogging every week?

Probably I spend too much. I love blogging, read other people’s blogs, surf and find interesting news.

What inspires you to write an entry to your blog?

Usually my ideas about news, culture and art, sometimes my intuition. We need more intuition, people tend to forget the importance of it and uses too much their left brain.

How do you spread a word about your blog?

Well, word of mouth, mainly backlinks, more than 30,000 on Yahoo. But a tracker gave me also a global number of 70,000 so I can say between 30,000 and 70,000.

Posted in Arts, Reviews, Technology | 3 Comments »

Amie Street, share music of every genre

I was surfing the net, trying to find a good website to discover and share music of every genre. I was tired of the common names, so I found this website that, well, seems really new and innovative.

Amie Street, share music of every genre

Amie Street is a place to discover, download and share music of every genre, from all over the world.

It is innovative: it uses a new approach to selling music. On Amie Street, the community determines the price. Every song starts free, or very cheap, and increases in price, up to 98 cents, as more and more people purchase it.

This variable pricing system ensures that the public gets music at a fair, community-driven price point, and makes it easy for you to find the type of music you want. It’s literally free to download new music on Amie Street, and you know when you pay 98 cents for a song a lot of people think it’s really good.

It’s a social music store, as it’s no secret that friends are one of the best ways to find out about new artists. To encourage members to share and talk about the music they love, Amie Street gives you money to spend on more music when you recommend your favorite songs.

On Amie Street, you are rewarded with cash for more music downloads when you recommend a song that continues to rise in price. For example, if you find a great new song when it’s free and recommend it to your friends, and that song eventually increases to 98 cents, you get that difference of 98 cents back into your account to spend on more music.

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Very Simple Audio Mastering Guide

I’ve just released my ebook (PDF document) about Audio Mastering. I wrote it after receiving hundreds requests from my musicians friends. You can find many guides on the net and at your preferred bookstore. But what beginners really need are few tips, to understand the basics, not huge tomes with neverending technical data.

Very Simple Audio Mastering Guide

So I had this idea to write a “very simple” guide, and, I must say, it is really simple, anyone can begin mastering with some success after reading it. I give also a couple of “tricks” so you can begin really soon to obtain a professional quality master. Of course this will not make you a mastering wizard, I’m in this field since 1998 and I continue to study… (yes, those famous tomes! heh). But I’m sure your music tracks will be much better and I really hope you’ll send me positive emails about the book!

The price of this document is 2 dollars only, this is why the main purpose of writing it was helping my friends and of course helping you, the new musicians with their first audio tools.

I know impressive musicians, talented pianists and guitarists that consider Digital Audio Workstations like monsters. They had mainly classical academical education and it is difficult to explain them how a compressor works. Now with my ebook they’ll finally understand the basics about compressors and dynamics, and maybe won’t see anymore the DAWs like monsters! :)

Posted in Music, Reviews, Technology | 1 Comment »

The B52’s, London Roundhouse

Wade Crawley is back with a great B52 concert review! If you remember, Wade wrote for us Punk music in the late seventies. Now read his new exclusive article for ManuelMarino.com!

The B52’s, London Roundhouse

It was on a hot and very sweaty summer night in London’s trendy Camden and a packed audience of all ages and types gathered at the re-opened Roundhouse. They were all there to see that perennial party band, still together for over 30 years, the B52’s. It was ridiculously hot with many people standing and sweating profusely, but this didn’t diminish the anticipation of the crowd one bit. This became evident before the band even came out with many of them singing along vociferously to Talking Head’s ‘Psycho Killer’ when played by the club’s DJ. Then the lights went down and the words “Hello London, we’re the B52’s” was greeted by a loud roar as the band walked out onto the stage.

Touring to promote their first album in 16 years Funplex, the B52’s showed the sell-out crowd they still have the ability to turn out superbly crafted pop songs. The line up of Fred Schneider, Cindy Wilson, Kate Pierson and Keith Strickland have proved over the years they are masters of the art of catchy, pop songwriting and they treated the crowd to all of their hits and more in their uniquely frivolous and eccentric manner. The B52’s have crafted and honed their electro-beat, new wave, dance sound over 30 years and it’s still impossible to categorise.

Backed up by three backing musicians, the B52’s were in fine form. The soaring harmonies of Wilson and Pierson sounded as good as ever, while the wonderfully camp interjections of Schneider made sure everybody in the audience had a smile on their face for the duration. Along with the more humorous and wacky songs like ‘Private Idaho’ and ‘Party Out Of Bounds,’ with ‘Give Me Back My Man’ and current single ‘Juliet Of The Spirits,’ the B52’s proved they can also do serious and soulful. Their set consisted of the obligatory songs from the current album such as ‘Funplex’ and ‘Pump,’ interspersed with many of the old favourites like ‘Strobe Light,’ and ‘Mesopotamia.’

Judging by the enthusiastic reaction to the older material, it was obvious that the audience consisted of many of their older, long-term fans but there was also a surprising amount of young fans, many of whom were perched up high on their father’s shoulders. To the audience’s delight, the hits came thick and fast with Wilson and Pierson’s sixties style dance routines, Schneider’s deadpan but camp delivery and Strickland’s choppy and distorted ‘rock style’ guitar. What with their wild and wacky image it’s easy to overlook, but make no mistake, these guys are all excellent musicians in their own right.

The harmonies of the two ladies are as good as you’ll find anywhere in popular music, whereas one time drummer Strickland now stands at the front of the stage, giving us all the classic ‘rock’ guitar style poses. Schneider isn’t as animated as he used to be but the B52’s wouldn’t be the same without his perfectly timed ‘camp as they come’ vocals.

To the crowd’s delight, they inevitably get to their most well loved song ‘Love Shack.’ It is one of those songs that always gets everybody dancing at parties and wedding receptions. Where everybody from the youngest children to the oldest grannies knows the words and the Roundhouse crowd were no different. “The whole shack shimmied” barks Schneider and the crowd sing along as one. Personally, I was surprised they didn’t save ‘Love Shack’ for the encore but the crowd didn’t seem to care.

We eventually got two encores. ‘Rock Lobster’ which was the first B52’s song I ever heard as a teenager in 1980 and ‘Planet Claire’ with it’s 1960’s secret agent movie vibe. The sweat soaked crowd were on their last legs by then. The Roundhouse management obviously thought that the English summer wasn’t long enough to justify installing air conditioning, but many were ready to feint at the end. This wasn’t enough, however, to stop most of the crowd from leaving with large grins on their faces. It left many of us feeling that the world is a more fun place with the B52’s in it.

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Stop jogging and listen to some new music

I’m a big fan of 80s music. Yes, the decade that gave the world the sound of pop, the memorable 80s! I’m talking about Madonna, Michael Jackson, Huey Lewis, Cyndi Lauper, George Michael and many others. Well, let’s focus on Madonna, eleven albums, an impressive career.

Stop jogging and listen to some new music

Madonna, the world’s tastiest sweetheart, has announced more non-stop treats for her legions of legendary and devoted fans. Following the latest news that “Hard Candy” has debuted at Number 1 around the globe, it has been confirmed that Madonna’s “Sticky and Sweet Tour” will begin (hip) hopping around the world on August 23rd in Cardiff, Wales with stops in major European markets through September including London (11-September) and Paris (20-September).

Hard Candy features collaborations with Timbaland and Justin Timberlake. The main themes are love, music and sex and sometimes seems that Madonna repeats herself. Not bad, considering that this album is a great example of the best american pop music.

To be more clear, we can define it unforgettable pop with wonderful choruses. The style is more urban-oriented, than the past disco tracks, and Madonna’s best eighties are back, creating a unique cocktail of different genres.

This is Madonna eleventh and final album for longtime label Warner Bros and it surely represents another mark on current pop culture.

About the Tour, it will feature a lot of past favorites as well as focusing on Madonna’s Hard Candy. She will be supported onstage by different famous artists, as example Paul Oakenfold in London, and Bob Sinclair in Paris.

More than one million tickets have been sold, means about 90% of the total, so better to run as soon as possible to get your ticket!

At the same time, I would recommend to check also Coldplay events. Chris Martin is taking his band back on the road for what promises to be their biggest tour to date to celebrate their hugely anticipated new album ‘Viva la Vida’ and hit single ‘Violet Hill’.

- Madonna Tickets
- Coldplay Tickets

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Walk Hard: a Retro-Styled Philosophy?

Yesterday I’ve seen Walk Hard: The Dewey Cox Story with a great John C. Reilly. It is a parody movie, a spoof of every musical biopic where John as music star Dewey Cox covers every musical style from Elvis to the Beach Boys over five decades. Dialogue and sequences are funny and goofy and the jokes never are boring. Since this is not exactly a review, I won’t tell more about the movie. What I would like to focus on is the philosophy behind the movie.

Walk Hard: a Retro-Styled Philosophy?

Dewey Cox kills his brother and begins an impressive quest to become a legendary artist. All is based on the “feeling guilty” system. He feels guilty, so he swear he’ll become big to please his brother soul (that was a talented young pianist). Feelings of guilt occur because deep down in your subconscious you have become emotionally attached to an event that you feel in some way responsible for, either you feel that you did something wrong, feel that you didn’t do enough or feel that you should have done something.

Of course, he killed his brother! Yes, but can we say he is punishing himself trying to become a legend? In the end of the movie there is the answer to this question.

Another philosophy behind the movie is the “Walk Hard” philosophy. It’s also the first song of the movie (and of the soundtrack album, a must!) and I really love it. Dewey say, that even if you’ve been told time and time again that you’re always gonna lose, life’s a race, and he is in it to win it. Some kind of people always try to control us, making us obedient. It’s a kind of psychological war out there! Dewey says no to this system and wants to free himself and walk hard up to the top of the mountain high. He still got a dream and a burning rage to live.

This is everything about being artists, about artists goals and principles. Probably also a retro-styled philosophy of the past, maybe also modern someway. But it is connected also to the “feel guilty” issue.

He has a dream, becoming a legend. Is it a real dream? Or he just wants to please his brother soul? He is not strong enough to resist to temptations. Sex, drugs are part of his everyday’s life. Is he really happy while pursuing his dream? Are we able to really understand what is our personal dream and life’s goal? I think that happiness is all about this, to really understand our goals. This is what Dewey finds at the end of his long and troubled life. I wish us all to discover this before the end of our lifes :)

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Country Music Star Is Unleashed!

Robert Benson (if you remember he wrote An Explosion of Blues Music) this time gave me a review about the next big star in Country Music, Laura Roppe (pronounced ro-pay). She has a Shania Twain-like quality and already is receiving major air play in Europe. Robert said me also that he has just launched a giveaway for his ebook “The Fascinating Hobby Of Vinyl Record Collecting” and now it is a free download! The ebook is for anyone who loves music and records and is full of great details about vinyl.

Country Music Star Is Unleashed!

Apparently being the runner up in Kenny Chesney’s “Next Big Star Competition” in May of 2008 is just the springboard that Country Music’s next star needed, as Laura Roppe’s debut CD (homepage) can attest to. The CD “Girl Like This” will soon take the country music scene by storm, as this engaging singer/songwriter is more than just country music ear candy.

For many years, her career in music had taken a back seat to a legal career, marriage and being a mother, but when the ‘music itch’ became too strong, she resumed her career in music. In 2006, Laura was the lead singer of the popular Southern California cover band CoolBandLuke, belting out cover tunes from artists such as Led Zeppelin, Janis Joplin, Blondie, Lucinda Williams, and Kelly Clarkson. Combining an eclectic mix of influences (such as the Indigo Girls, Carly Simon, Shania Twain among many others) and Laura’s unique voice and fresh style, the debut CD is a compelling array of edgy country girl sounds and rare, intoxicating country flavors.

Let’s explore the music: The single, “Mama Needs A Girls Night Out,” is certain to top mainstream Country Radio and is full of fun country music, memorable lyrics (“babies on the brain” and “put your skinny jeans on”) and a “Mom’s Gone Wild” chorus that every mother who hears the cut can identify with. And when you add inventive guitar work, titillating fiddle work and stellar musicianship-you have a recipe for success. The title cut, “Girl Like This,” combines a Shania Twain-like sassiness with an infectious melody and will be right at home on the Country Music Charts.

“Fly Fly Fly,” with Edie Brickel-like vocals, is a fun, country ditty and just makes you tap your foot with anticipation and sing along. “Float Away” may remind some of Jodie Messina, but others may hear vintage Carly Simon and the song is sung with angelic precision and passion. The cut “Little Daughter” may be her signature ballad, with poignant, emotional lyrics that is sung and played with tenderness and warmth that shows you that it is sincere.

Other songs include the sashaying cut “Ooh La La,” with great guitar licks adeptly mixed with her unique country growl and spicy solos. “Come To Me” is another fantastic country number, with dreamy lyrics and achingly tender acoustics. “Sing A Love Song” is full of inventive harmonies and an irresistible chorus. And the cut, “Crazy About You And Me,” just may be a new look at love gone wrong and has a delicious catchiness to it.

All in all, there is not a weak cut on Laura Roppe’s debut CD, “Girl Like This”. The music transcends typical country music boundaries and is full of expressive vocals, polished country pop and well-crafted instrumental sections and will certainly take the country music scene by storm. This stunning debut is just what country music has been looking for and I, for one, can’t wait to hear more!

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Music, Movies and Independent Films

In this exclusive interview, Todd Cericola, owner of Clocktower Pictures, talks about his movie studio, about music in movies and about the independent productions world.

Manuel Marino: When did you start your movie studio and how did you have the idea?

Todd Cericola: Clocktower Pictures was started in February of 2008. We are a new company in the Philadelphia area that specializes in independent film. We started it after working on a t.v. sitcom pilot called “Two One Five.” Myself, and my two partners Keelen Monahan and Matt Tomko had all been working individually on producing, directing, and writing and decided to put our efforts into one basket by opening up what would eventually become Clocktower.

How much is difficult to manage a movie studio?

I don’t know that it’s as difficult as it is fun. We are all doing something that we throughly enjoy doing. There is a strong workload, especially since we are a new company, but we wouldn’t have it any other way. We are a very hands on company working directly with our actors on a one on one basis. We try to cater to all of their needs as well as our own.

I’m a music composer, so the question is natural, how much music is important in the production?

As a musician myself, I think that music is one of the most important thing in a film. If you’re trying to paint a picture to set up a scene, background music is key to setting a mood. A good song will always have the scene set perfectly and you may not even notice it in the background, but when you have a bad song you, as the filmgoer, will always notice the mistake of choice.

What is your latest production? Can you tell us something about it?

Right now we are working on a few things. We are working on a feature film called “Describing the Moon,” about a guy in his mid-twenties struggling with trying to please his friends and complete his life’s goal of becoming a script writer. It’s a fantastic script that’s really dialogue driven, and very funny. We will be finishing up auditions for that next weekend, and should begin filming in October. Two One Five is a big priority as well, we are shopping around to try and sell and make an entire season. As well as entering short film and television festivals to get the name out. The entire episode is up on our website for free viewing at Clocktower Pictures. We are also looking into opening up a second branch of the company under the banner Clocktower Music helping to produce local artists and independent musicians. So we have a lot going on.

How we can define an independent movie and why it’s important that indies are supported in their work?

I think independent film is a very important thing because it brings out more creativity in people. When you’re writing without cause and shooting without big budget you’re working harder at making something the way you see it, so you’re getting the original vision of what you’re going for. It’s like an artists painting, you want to express your own ideas in your own way, not someone else. Too many hands in the cookie jar is never a good thing.

Do you think internet can help indies?

I think the internet is a great advantage for people in any area of creative arts. You can reach out to millions of people at the single click of a button for your company, your movie, your art, your music anything you want. I think with the advent of facebook, myspace, mandy, craigslist, and countless others we’re living in an age where getting yourself out to the masses of people is just that much easier, and that much better.

How do you see the future of movie production?

As far as movie production in general goes, I see it bulking up even more. Budget’s for production are getting larger by what seems daily, actors are making more and more money, and the intake is getting outrageous. On a smaller scale, Philadelphia is getting its own studio soon which has already scene production in the city jump up ten fold.

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American Music and Vintage Guitars

Mark Weakley is an impressive artist; sculptor, painter, musician. He plays guitar, banjo and harmonica, and has recently recorded a CD of his original compositions. In this exclusive article he talks about himself, about his passions, about his father, about traditional american music, about vintage guitars and banjoes, and much more.

American Music and Vintage Guitars

My father was a gunsmith and fastidious in his craft. As a boy I once watched him raise a dent in an antique rifle stock. He had dampened a soft white cloth, folded it over a few times and placed on that blemish in the wood while applying the low heat of an iron. He did this patiently for hours, for days it seemed. Why didn’t he just fill it and do some sanding? I know the answer now. That random few moments when I was the youthful observer may have been the most precious thing he left me. It was really the seed of true craftsmanship and it grew within me despite my natural inclinations. It was not an overnight revelation. Not only did I see a glimpse of patience when the word had no meaning to me I also saw that it was the only way to do it right. Anything less is just that.

Around this time, 1960 or so, I was captured forever by the sound of Traditional American Music and struggling to learn the guitar when guitar players were scarce indeed for an Army brat in Munich, Germany. I thought the Kingston Trio were great until an older mentor loaned me his copy of the Harry Smith Anthology Vol. One. He suggested that I might find it interesting.

Interesting? My life simply changed forever and for the better. A door to another most wonderful world slammed open and has not closed for the last forty- eight years. Yes, interesting. It was a strange and mysterious world that opened like the fabled parallel universe. I truly felt, and still feel, that I found of part of me that had been missing. I loved the wonderful names, Blind Willie Johnson, Buell Kazee, The Masked Marvel, Furry Lewis and all the others. I had to know what they were saying and how they said and played. Griel Marcus calls it the “Old, Weird America”. I know it certainly called me to a lost world. These people were making music because they had no choice. It was in them as deep as breathing and money was not the object. At least, not then.

My passion has grown and my playing has improved but I am still drawn to the archaic in all arts. I have learned tunes note for note from these and countless other old recordings. In my later years I have seen that these same tunes are no longer played rote but that I have brought something of my own expression to them. I fear imitation for its’ own sake. Still, I must admit that guitar buddies of mine and I have spent untold hours dissecting each quavering semi-tone of “Dark Was the Night and Cold Was the Ground” by the magnificent Blind Willie Johnson. We do it with love and full knowledge that we will never succeed and rejoice that someone recorded it. To me it’s the most important recording ever made.

My love of vintage guitars and banjoes grew accordingly. ‘Neath beds and in closets they lurk. I am a lover of Martin guitars particularly and was thrilled and honored to illustrate a portrait of Perry Bechtal to used in advertising and as a label inside the guitar itself. Oddly enough it is executed in scratchboard - a technique I learned as a Medical Illustrator.

There came a point when I was hearing my own songs and found the courage to record and release them on my own CD entitled “Farewell to Pony Bob”. We did it in a back room of my house without fear.

I was truly surprised to hear that it is available on PodSafeAudio.com. With thanks to Steve James and Michael Martin bless their souls. Look ‘em up. The visitor to my website, will see that my recent paintings of dogs have included a musical influence. Great care was taken to render the banjo and guitar with accuracy. Those pups deserve the best.

There are times I have been painting or drawing, rendering detail that will read as I want it to, when I happen to notice the time. And it is hours past where I thought it might be. I confess those are moments of pure joy. Time and space went somewhere else for a while. Or maybe I am finally learning to see in the fullest sense of the word. Looking at something becomes not quite enough.

My father knew and I thank him for the lesson.

Posted in Arts, Music, People | 3 Comments »

An Explosion Of Blues Music

Author of this article is Robert Benson. He writes about rock and pop music, vinyl record collecting and operates CollectingVinylRecords.com, where you can pick up a copy of his ebook called “The Fascinating Hobby Of Vinyl Record Collecting.” You can have your vinyl records appraised at VinylRecordAppraisals.com.

An Explosion Of Blues Music

Anyone who has ever listened to the “Blues” knows that it is more than just music, but an inspiration, an unfolding of the emotions that we all feel. From Muddy Waters, John Lee Hooker, Willie Dixon and many other influential Blues legends, to the more contemporary Blues artists such as Robert Cray, Eric Clapton and Stevie Ray Vaughan, Blue’s music has and always be a part of out musical heritage.

Capturing the essence and spirit that the Blues represent is a novel “Blues Musical” called “The Tear Jar.” Not focusing on a particular band or individual, the “Tear Jar” instead is a collaboration and meeting of the minds of many talented people including producer Chris Bravacos, song writer Robert Welch, audio engineer Frank Silver and writer Jerry King Musser.

Blended into the musical are the rare talents of musicians such as: industry veteran Diane Wilson (singing the character of Savannah), talented Bluesman Don Johnson (singing the character of Mason Ball), Blues guitar virtuoso Jared James Nichols (singing the character of JD Hunter), Jazz sensation Rose Hudson (singing the part of Chandra), veteran Gospel singer Eugene Barclift (playing the character of Stubs) and Soul Music vet Charles Lee (as the Preacher), among others.

To set up the story, one needs to know what a ‘tear jar’ is and what it represents. In ancient cultures, water was a prized possession and giving up water from one’s own body, in the form of tears, was considered a personal sacrifice. They would catch their precious tears in tiny pitchers or ‘tear jars.” The ‘saved’ tears could then be used to ward off evil or to help a sick child. The writer takes this belief and implements into the storyline and applies it to the infectious Blues songs that encompass and define the musical. Here is a brief synopsis of the story:

“Seasoned, itinerant blues man, Mason Ball, returns to The Blue Rose, a club in which he enjoys playing, with an owner he deeply ‘admires.’ Upon his arrival, he’s surprised to discover that a ‘new kid in town’ has claimed the stage and attention of an appreciative audience. This young upstart, one JD Hunter, is unwilling to relinquish the limelight and makes it clear that the ‘old blues’ is dead. To add to the tension, Mason’s private love interest shares with him a serious, personal loss. Frustrated with his inability to appease her emotional pain, Mason dips his finger into a jar of tears given him by his recently departed mother and touches her with the potion. This act, apparently, manifests in wondrous results… relieving her of her anguish. Mason doubts his healing powers, yet can’t dismiss the changes he seems to have made. When word gets out, the audience demands Mason’s appearance onstage and seem to come for his ‘gift of healing’ as much as his gift of song. JD challenges Mason’s abilities, those both spiritual and musical. When a plan to expose Mason backfires, JD Hunter learns what it’s like to be on the receiving end of ‘the gift.’ But, gift or not, the characters in this story find themselves at a new place in their lives after discovering life’s potential magic is available to anyone.”

I have not seen the production, but have listened to some of the music and was overjoyed to hear a dizzying array of crisp, fresh Blues cuts that are certain to be standards and will have die-hard Blues fans clamoring for more.

“When Does The Healing Begin” is full of Gospel-fueled licks and superb vocals that fuses the Blues and Gospel in an explosion of sound. The cut called “The Magic,” like any great Blues song, just bleeds emotion, from the growling vocals and the Stevie Ray Vaughan-like riffs, yet it still remains achingly tender. “Satisfier” is expertly played and sang, with sultry vocals and is sung with immeasurable passion and strength. “I’m Gone,” is bound to become a classic blues rocker, tight and structured, and just compels you to bob your head or tap your foot with melodic adventure. “Stormbringer” perfectly fuses Soul and Blues music, with impassioned vocals and stellar guitar and organ work.

“The Tear Jar” is bound to become an instant classic Blues production, with fresh Blues music for all fans of the genre, who are sure to be pleased with the efforts of all the performers and everyone who is involved with this wondrous project. In its beginning stages, “The Tear Jar” has a performance slated for the Sunoco Performance Theater on Thursday, August 7 and Friday August 8, 2008 in Harrisburg, Pennsylvania. And with an intriguing storyline, a stellar cast and new Blues standards, it will soon make a bold impression in the music world and specifically Blues music.

To learn more about this inventive project and learn more about the players visit TearJar.com.

Posted in Arts, Music, People, Reviews | 2 Comments »