A Beautiful Interview
February 10, 2010
Ceri Shaw suggested me an interview from our friends at Americymru. So here’s this beautiful interview with Dr. Karl Jenkins (I include also the link to their ticket giveaway competition for his performance at Carnegie Hall NY on March 6th 2010).
A Beautiful Interview
Dr. Karl Jenkins is Britain’s greatest and most versatile living composer, the author of an ocean of amazing and exalting music unlimited by genre, style or instrument. He holds a doctorate of musicology from the University of Wales and the Royal Academy of Music London. His many awards include several fellowships at various universities and an OBE (Order of the British Empire) for “services to music.” He has composed for jazz bands, orchestra and voice, for advertising, film, and live performance.
Dr. Jenkins is a native of the village of Penclawdd in the Gower peninsula, where his father was a school teacher and the choirmaster and organist of the Methodist church the family attended.
Two of his most recent works are Stabat Mater (2008), an adaptation of a 13th century Roman Catholic prayer and Stella Notalis (2009), adaptations and compositions of Christmas carols from around the world.
Americymru: You’ll be appearing as guest conductor at Carnegie Hall on March 6th . What are the circumstances and what will you be conducting?
Karl: As part of Welsh Week I’ve been asked to conduct some of my music as the first half of the concert. I have a strong relationship with Jonathan Griffith of DCINY who has arranged the event and who has been fantastic in that he has conducted and supported much of my work in the USA. On Martin Luther King Day 2010 he performed my The Armed Man: A Mass for Peace and my Requiem. On this occasion I shall be conducting Palladio [famous for its use on a TV ad for diamonds], two choral extracts, Benedictus & Ave verum [from the Armed Man & Stabat Mater respectively] and the USA premier of my Concerto for Euphonium & Orchestra played by David Childs for whom it was written Karl Jenkins Conducts “Palladio”
Americymru: You’re a musician, your wife is a musician, your son is a musician, your daughter-in-law is a musician, your father was a musician, has music always been part of your family’s life?
Karl: Well obviously that is the case. My father started the ball rolling really since he was hugely influential with regard to my musical education. He taught me piano from an early age and music was always in the house, both live & recorded. My wife Carol Barrat is a celebrated music educationalist while our son, a percussionist and film composer has just scored a Bollywood movie! His wife Rosie, whom he met in the National Youth Orchestra of Great Britain is currently playing oboe with the London Symphony Orchetra.
Americymru: You’ve said in other interviews and your biography that your father was the organist and choirmaster at your village’s Methodist chapel, was he the greatest musical influence in your life? Do you think you’ve been the same influence in your son’s life?
Karl: What we’ve done as parents is introduce Jody to music and by default, the musicians life so he’s quite worldly for a young man [he's 28]. We did not force him in any way and having played piano & flute as a child, he asked to play percussion when he was ten. This was his instrument and became principal in the aforementioned NYOGB, won a scholarship to the Royal Academy of Music [where I had studied 30 years before] and graduated with first class honours. So, he’s been his own man really but I suppose it helps in that we work in different areas. What we do all share as a family is a love of all good music, regardless of categorisation, and in any genre.
Americymru: How would you describe Welsh congregational singing to someone who’s never seen it? Would you say that growing up with that musical experience effected or enriched you as a composer?
Karl: It’s obviously hard to describe music in words but what makes it unique is the rawness of the vocal sound. On the printed page it looks like any other four part hymn but the sound, to me anyway, is hugely atmospheric especially when sung in Welsh. The sound influenced my Adiemus project which had a degree of global success. This was a mix of the ‘classical’ but with voices that were not from the European classical tradition but more “tribal”. The text was my own invented language.
Americymru: You’ve performed and composed a very wide variety of instruments and styles of music and incorporate a great variety in your work, from the 13th century Roman Catholic Stabat Mater to Japanese haiku and African folk – what inspires or directs fitting these styles together in a piece? Where do you start writing music or creating music?
Karl: My musical journey, following academic classical training at Cardiff University & the RAM, has taken in a wide variety of genres and I’ve arrived at what I do now by way of being a musical tourist. Essentially I am a composer who always looks outside the European tradition for influences, texts & instrumentation, particularly percussion. With regard starting a piece, if I’m setting words then I immediately have a peg on which to hang the piece. If it’s instrumental or Adiemus then I’m on my own! The principle is searching around for ideas [usually using a piano] and developing what takes my fancy. A huge amount of intuition is involved, but intuition based on an armoury of acquired musical craft; harmony, counterpoint, orchestration, form et.
Americymru: “Stabat” Mater (2008) is your adaptation of a 13th century Catholic liturgical hymn, in which you included an amazing variety of instruments and material from sources as wide as 13th century Persian poetry and the Epic of Gilgamesh, how did you come to create this, what was your process in expressing this?
Karl: Well the established text is there already. Then much of what I have expressed above came in to play, looking outside Europe to the Middle East/Holy Land for relevant [i.e. concerning grief] ancient text, employing languages that were lingua franca at the time and including indigenous instruments in the orchestration. The eminent Welsh poet [and academic] Grahame Davies [who wrote the words for my recently composed anthem for the National Assembly of Wales] did quite a bit of research for me with regard to the literature.
Americymru: You’ve said in interviews before that you “don’t see any point in being a composer if you don’t communicate with people,” what does that mean to you? Do you feel that response in the audience is important, that response is the “product” or goal of a piece of art or music? What response do you want to create in your audiences?
Karl: I believe music should emotionally connect with an audience; make them cry, laugh, administer ‘goose bumps! I’ve heard far too much music with ‘one man and his dog’ in the audience, the piece never heard again and the event receiving “critical acclaim”.
Americymru: Wales seems to produce a lot of musical artists who would be (or are) described as “crossover”, yourself included – do you think Wales has a musical character or tradition that inspires or tends toward experimentation or something like hybridization, a lack of adherence to artificial limitations of genre?
Karl: I don’t like to use the term cross-over. I’m not sure what it means and I’ve explained what I do above. I don’t think the Welsh like music particularly. What they do like are singers which is not necessarily the same thing. I like to think that what I do is at least individual and at least it’s new. Most albums and repertoire [not just by Welsh artists] are a series of singers singing the same songs, songs that everyone knows. Many such artists are described as opera singers when they have never sang in an opera in their lives. At least good modern ‘pop’ has more integrity since it is newly composed.
Americymru: Did you have particular creative goals as an artist and if you did, have you achieved them? What would you like to look back on at the end of your life and see that you did or created?
Karl: Following my journey, I have come relatively late in life to what I do now, but the corollary is that I would not have arrived at this point without this musical tourism and the influence and skills that have come with it. There is still much to do. I’m setting the Gloria text for a Royal Albert Hall premier in July and there is much more to do.
Americymru: Is there any particular instrument you especially like to compose for? If so, what instrument and why?
Karl: Sounds pompous [which I'm not] but my instrument is the orchestra [& choir] and the rich palette of colours it provides.
Americymru: Is there any one work or piece that you created that you’re particularly proud of or happy to have done? If so, what is it and why?
Karl: The worrying thing is that some of my most popular pieces were kind of written quickly and which I didn’t set great store by. However, I suppose the Armed Man because of it’s impact but I think there is better music in the Requiem.
Americymru: What music do you listen to for pleasure?
Karl: I listen far less than I did, most certainly because I’m always writing and I need a break! Favourites would be Mahler, Strauss, Wagner, Bach, Stravinsky, Miles Davis, John Coltrane, Weather Report, Steely Dan…
-
Music Geek Robin Mookerjee is a songwriter obsessed with music. Is this a good thing? Or a bad thing? I can say he is a real music geek! Read his story and check his website. Music Geek I’m really a fan as much as a songwriter, but a lot of songwriters say...... -
Music, Movies and Independent Films In this exclusive interview, Todd Cericola, owner of Clocktower Pictures, talks about his movie studio, about music in movies and about the independent productions world. Manuel Marino: When did you start your movie studio and how did you have the idea? Todd Cericola: Clocktower Pictures was started in February of...... -
A Finnish music story Musician Matti Mattila wrote his story for us, a Finnish music story! Please read also his Finnish blog and check his page at LinkedIn. I named this article "A Finnish music story" because through Matti words we can know an exclusive tale about late 70's and 80's of Finnish music....... -
Country Music Star Is Unleashed! Robert Benson (if you remember he wrote An Explosion of Blues Music) this time gave me a review about the next big star in Country Music, Laura Roppe (pronounced ro-pay). She has a Shania Twain-like quality and already is receiving major air play in Europe. Robert said me also that...... -
Independent Filmmaking We're back with a new interview, to Actress and Producer Glorinda Marie. We talk about independent filmmaking, filmmakers, actors and movies industry. Here are some interesting links to check, after reading the interview: - Actress Website - imdb - SF Indieclub - Get Bizzzy Acting Coach Manuel Marino: "Glorinda, what......
-
Michael Jackson: Why Thriller Will Never be Topped, and Other Random Thoughts I just wanted to add my own personal thoughts to the already crippling amount of opinions and good wishes on the net around Michael Jackson’s death. I’m a great fan of his music and am saddened by his death. Here are two random thoughts that sprung to mind while reflecting... -
Law of Attraction Plus the Law of Action Remember the movie The Secret It came out in 2006 and focused on the Law of Attraction and how simply thinking about the things you wanted would help you get them. Dan Clark in his keynote speech in 2009 for Liberty Tax mentioned that the Law of Attraction didn't...... - When it comes to your home based business why do you keep falling down More and more families and seniors are becoming homeless, hard pressed and losing hope. Our economic situation is largely blamed if you listen to the news and public media. With our credit and financial market devastated and spiraling downward at an unprecedented rate many people are left wondering what will......
-
Introduction to the Banjo Instrument The term banjo actually refers to a family of instruments rather than just a single instrument that fits into another family. The banjo instrument family makes use of a membrane made of hide or vellum that is used as a sound board. The first banjo instruments were brought to the...... - Movie Review: Ghosts of Girlfriends Past starring Matthew McConaughey and Jennifer Garner This is a fabulous contemporary update of the Christmas Carol. Matthew McConaughey is Connor Mead. Connor is the new Mr. Scrooge, except he’s gorgeous, charming, and wealthy. So what’s wrong with the guy? Connor is a miser, just like Scrooge. How? Unlike Scrooge, Connor withholds love/feelings instead of money/possessions. Just......
Knights and Film Music
February 27, 2009
Today I publish a new music track, inspired by knights, chivalry, code of honour, battles and dangerous wilderness exploration. This is a demonstration of my talent with orchestral arrangements.
Knights and Film Music
The Knight is an elite warrior sworn to uphold the values of courage and honour.
Knighthood was characterized by two elements, feudalism and service as a mounted combatant. Both arose under the reign of the Frankish emperor Charlemagne, from which the knighthood of the Middle Ages can be seen to have had its genesis.
Knights were trained in hunting, fighting, and riding. They were also trained to practise courteous, honorable behaviour, which was extremely important.
This behaviour was a Code of Honour, made of solemn oaths, like to protect the people and to live by honour and for glory.
Danger was part of a Knight’s life, and you can feel dangerous surroundings in this orchestral demo.
Part of the track is from the music soundtrack I’m composing and producing for the Nintendo DS videogame Baalzebul. It is an innovative fantasy role play game. The first playable demo will be completed soon.
-
Funk in Nature Funk Music is still very popular, after all these years. This song is a great tribute to this genre. While I composed it having in mind Funk Music and its variations, I created a blend with other styles and modern ideas. The cocktail of music notes resulting of this blend...... - Artists Psychology Here's an interesting exclusive article Roland d’Humières, 56 years old psycho-analyst from Aix en Provence (France) has written for our Weblog. I think it to be a very interesting writing about the artists psychology, or maybe "arts psychology", what's behind an artists mind. Artists Psychology Whatever is his/her Art, painting,......
- Music, Movies and Independent Films In this exclusive interview, Todd Cericola, owner of Clocktower Pictures, talks about his movie studio, about music in movies and about the independent productions world. Manuel Marino: When did you start your movie studio and how did you have the idea? Todd Cericola: Clocktower Pictures was started in February of......
- A Finnish music story Musician Matti Mattila wrote his story for us, a Finnish music story! Please read also his Finnish blog and check his page at LinkedIn. I named this article "A Finnish music story" because through Matti words we can know an exclusive tale about late 70's and 80's of Finnish music.......
-
Music Biz Marcos Marado wrote this exclusive article about Music Biz. Is the situation really so dramatic as he explains? Leave your comments, this could be our first really important debate on ManuelMarino.com. Music Biz I'm, first of all, a passionate for music. My passion for music before I can recall it,......
-
Renewing the Folk Music Movement with Acoustic Musical Instruments Seth Lakeman, a folk music star that is nominated for a Mercury Prize has been talking about the acoustic of folk music and acoustic musical instruments. For example, Lily Allen's new single is featuring a banjo solo, which would not have happened in years past but now apparently seems to...... - How Much Passive Income Can You Buy With... I've been extremely busy the past couple of days. Last night, I was home from work for about an hour before I had to get up and repeat the process again. What's been keeping me busy? There's a word deadline Monday, leading me to work more than usual. However, the......
- Musician Profile for Isaac Stern American violinist Isaac Stern was born on July 21, 1920 and died on September 22, 2001. During his lifetime, he won several prestigious awards, including the 1982 Sonning Award and a number of Grammys. In addition to receiving recognition for his own works, Stern was also known to have a......
- Music In Video Games Video game music is great, most people who play video games do not even realize how much the music makes a difference, just like in a movie/TV show music is used to set the mood, its the same in video games as well. Most video game music is made specifically......
- Whatever it takes by Kelly Coffey Basic DEMO storyline with pics and video Brian Joo & Mika Nakshima "Whatever it takes" By Kelly Coffey made by LisaLao enjoy! Mika Nakashima Description: Born in Kagoshima Prefecture, on the island of Kyūshū, Japan, Mika Nakashima was the youngest of three children. She dreamed of pursuing a singing career......
Astronauts and Funk Music
February 26, 2009
Today I create a new category, named 2009 Music Demos, where I’ll publish totally new music tracks made with the latest gears but with the same talent behind: myself :)
These tracks are demonstrations of my skills and creative ideas and in each post I’ll explain the inspiration that moves them, the images I would like you to see while listening to them and the feelings.
Astronauts and Funk Music
This first post is dedicated to big 80s space operas, movies, novels and sci-fi culture. This is also a trip to old good 80s with their catchy rhythms, synths and guitars.
This first demo starts with a space choir, an opening orchestra and choir theme, I can say epic and grand, that creates images of galaxies, shuttles, astronauts and the infinity of the universe.
The choir evolves into a rock instrumental piece, with 80s synth effects that add a spacey feel to the entire track. I can name it “space rock”.
The next style is jazz, a universal style that will never end to please our ears, today, and in the next centuries.
Synths are back in an 80s pop mix, while a really catching funk part ends the demonstration, making us really uplifting and excited.
I dedicate this music work to Richard Garriott, Lord British in Ultima and significant figure in the video game industry.
On October 12, 2008, Garriott launched aboard Soyuz TMA-13 to the International Space Station as a self-funded tourist, returning safely 12 days later aboard Soyuz TMA-12.
-
Sounds like music and networking Wizzit Magazine interviewed me about Blogging and Social Networking. I have to thank Matti Mattila, the reviewer and open networker. If you remember, Matti wrote A musician story. Here is a short excerpt from the magazine article that you can download here in pdf format. Sounds like music and...... - A Finnish music story Musician Matti Mattila wrote his story for us, a Finnish music story! Please read also his Finnish blog and check his page at LinkedIn. I named this article "A Finnish music story" because through Matti words we can know an exclusive tale about late 70's and 80's of Finnish music.......
- Knights and Film Music Today I publish a new music track, inspired by knights, chivalry, code of honour, battles and dangerous wilderness exploration. This is a demonstration of my talent with orchestral arrangements. Knights and Film Music The Knight is an elite warrior sworn to uphold the values of courage and honour. Knighthood was......
-
Phat Funky Road There are many songs named Funky Road. If you search on Internet you'll find so many, but no one is named Phat Funky Road. Why Phat? Because in this new track I blend Funk ideas with Rock and harder rhythms. Well, not so hard, not exactly my style, but I...... -
Vinyl Collection Today we interview Robert Benson, who wrote the ebook called "The Fascinating Hobby Of Vinyl Record Collecting". Vinyl Collection MM: Robert, when did you have the idea to write a book about Vinyl Record Collecting? It is an unusual (but also very fascinating) topic. RB: The ebook started out as......
-
Lake Pillsbury Lake Pillsbury Lake Pillsbury is located in: Upper Lake, CA Phone: (707) 275-2361 About the Lake: Lake Pillsbury has 2003 surface acres in water and a shoreline that stretches out over 65 miles. It is a very popular destination in the Mendocino Forest and the fishing here is...... - We’re In Debt: $150,679 In Debt, To Be Exact This article was originally posted by Chris, a contributor at Your Money Relationship, in July. We are reposting it here so that you can learn his family's story. Chris will be contributing to Frugal Dad on a weekly basis sharing his struggles with debt. Let me introduce myself. My name......
-
500 More Useless Facts [/caption] Most American car horns honk in the key of F. The name Wendy was made up for the book "Peter Pan." Barbie's full name is Barbara Millicent Roberts. Every time you lick a stamp, you consume 1/10 of a calorie. The average person falls asleep in seven minutes. Studies...... -
The Economics Of September 11, 2001 It would be unfortunate for you to be an American and forgotten what today is. Tragic events in the history of this young American. I will always remember that day because I watched the second plane hit, live, and watched both towers fall in the library at school. Those images...... -
Bob Marley Heirs Try To Sink Pirates Jamaican reggae music icon, the late Bob Marley, is experiencing record sales of his music and merchandise since his death from brain cancer in 1981. Only trouble is, from the estimated $600 million annually his sounds and likeness earn, a paltry $4 million is from legally licensed products. So,......
To the audience of music
February 22, 2009
Gunnar Colding is a former professional cellist who for 25 years has been employed by chamber orchestras as well as symphony orchestras of Sweden. This is an exceptional article he wrote for us.
To the audience of music
There was recently given a concert in New York mainly consisting of works by Mozart. When a soprano afterwards would perform some songs by Webern (music soon a hundred years old but Atonal) the audience BOOED her out! OPUS, the leading musical magazine of Sweden, therefore put the question, why Swedes don’t boo at concerts.
The short answer is simple. They are brought up not to, and whoever violates the pattern therefore risks “making a fool of himself”. The longer answer is somewhat more complicated, but still logic to those who have the energy to look a little deeper into the crystal ball.
All avant-gardists who have advanced to some level live in some kind of symbiosis with the culture knowledgeables of the media. Together they form a hype and a trademark. This trademark is in most cases equivalent to the personal name of “the artist”. After a number of times in the limelight they are suddenly celebrities.
Then it’s especially important to remember, that this celebrity status has only been reached by “State sponsorship” and clever (culture) lobbyists who all pull in the same direction tonally. All this, however, has been done over the heads of the audience, which, at a first night, has no choice but to join in the collective ritual of applauses.
The only alternative would be to boo or to refuse to applaud, that is civil disobedience, which most people lack the civil courage to carry through in for instance a direct transmission. If the audience would be disinterested, it wouldn’t come to a first night at the town concert hall? Oh yes, it certainly would.
The programme committees always place the new work together with great acknowledged music on the same concert. So the audience gets force-fed in the same way as by water chlorination. The audience has no possibility to drop the newwritten piece by going home in advance, although they would want to. For then they would miss also the rest of the repertoire for which they bought an expensive subscription!
Certainly there are many who are curious about “novelties”, but how many would return, if the work is given a second or a third time, to a separate concert, without tickets paid for in advance? If in spite of all the audience would hear this novelty one more time, it would for sure be allocated by quotas by some State financed institution or commission, for instance the music radio channel, only acclaimed by the Modern Music Ghetto people themselves.
Just look at for instance the statistics of the radio Concerts by Request for the last 30 years. In this sole instance, where the audience decides the programme, yours truly can not recall one single Atonal work, although it must have occurred in later years, as a particular exception…
European and especially Swedish musical audiences have thus become reduced to a kind of “cattle voice”, the acclaim of which seldom marks the quality of a piece. The applauses have become more concerned about the celebrated soloist, conductor or symphony orchestra and their performances!
To complete the hypocrisy, all reviewers then write about “standing ovations” and “the critically acclaimed work” etc. etc. Do you think they ever disclose, that the “voluntary” demand in the record shops by the audience is completely absent? All contemporary known composers have lobbyists and pushers everywhere in every single musical institution. Together with the media they constitute today a formidably heavy group.
They have succeeded in the trick of forcing commissioners to also view the matter as an issue of equality between Atonal and Tonal music! At the same time the audience is indirectly accused of being rigid and to have prejudices that have to be broken. So, all natural processes of selection have been eliminated, just like they are in the world of the wars between the sexes by quota allocation.
By this system and evolutionary science, nothing will then be created fit for life. Men and women do have most in common in their constitution and are therefore of equal value as human beings. This is so to say scientifically proved. But it is equally scientifically proved, that the language of the Atonal music has nothing in common with its Tonal counterpart!
Atonal music lacks a grammar understandable to the ear. Therefore everything sounds like undefinable dissonances with no possibility of memorization. Tonal music (pop and classical) on the other hand has a very well defined grammar consisting of major and minor keys, which can be perceived by anyone except the deaf.
In that kind of music both consonance and dissonance are intermixed according to an accepted grammar. In a study from ”Brain – A Journal of Neurology” the researchers even arrived at the conclusion that only brain-damaged people could have preferences for music mainly consisting of dissonances.
Contrary to what avant-gardists with interpretation monopolies advocate, the Tonal music language is neither culturally nor socially determined. Preferences to Tonal music have, hark well, a purely biological explanation in the brain.
This has been easily proved by studies in babies and animals, after which a highly merited fundamental researcher in psychology (Diana Deutsch, USA) proved already in 1983, that not even normal, grown-up musicians’ brains could ”process” Atonal music.
Therefore I hereby nominate the modern “Atonal sect” to one of the most arrogant groups ever within culture.
All necessary research, analysis and background to these claims are presented in the book “Reverse Polka, or, Cheated of the Music”. (Yet only published in Sweden: “Baklängespolkan går eller Blåst på musiken”)
The painful thing is, that even without pressure groups, the works of the dead Tonal composers remain a hundredfold more alive than the works of their modern “colleagues”.
Classical music has only diverse “Societies” that run a sort of internal activity of meeting and sharing mutual interests.
That music has no other “pushers” than Unorganized private consumers without “votes”, commonly called the audience. My question to the modern State quota people: For whose benefit are you working? For the benefit of the audience or for the benefit of all potentially unemployed “composers”? I already know the answer. You only work by instructions “from above” as they vaguely call it…
-
An Explosion Of Blues Music Author of this article is Robert Benson. He writes about rock and pop music, vinyl record collecting and operates CollectingVinylRecords.com, where you can pick up a copy of his ebook called "The Fascinating Hobby Of Vinyl Record Collecting." You can have your vinyl records appraised at VinylRecordAppraisals.com. An Explosion Of...... -
Ragtime! “Perfessor” Bill Edwards wrote this exclusive writing about his passion, Ragtime! It's a personal and entertaining article as well as enlightening. Ragtime! So Manuel finds me and he asks me to contribute something here in my field of expertise. “Write something about ragtime,” which is passion and profession. Really? Kewl....... - Astronauts and Funk Music Today I create a new category, named 2009 Music Demos, where I'll publish totally new music tracks made with the latest gears but with the same talent behind: myself :) These tracks are demonstrations of my skills and creative ideas and in each post I'll explain the inspiration that moves......
-
Recording Music Industry This is a post I've received from Julien Bernier-Haineault and he is a music producer from Quebec, Canada. He made several songs for a lot of bands that never really got appreciated to their real value. I can say that trying, failing and trying again, now he absolutely knows a...... - Music Biz Marcos Marado wrote this exclusive article about Music Biz. Is the situation really so dramatic as he explains? Leave your comments, this could be our first really important debate on ManuelMarino.com. Music Biz I'm, first of all, a passionate for music. My passion for music before I can recall it,......
-
A History of Drums and Tribal Music Different styles of drums all have their own unique histories. African tribal music and the drums associated with it are completely unique to the other drum types that have been developed throughout the world. One example of an African tribal drum is the Djembe, a drum that has an extraordinary...... -
Why Personal Debt Is At Its Highest Level Ever Ask any financial expert in the country what the biggest problem facing the people of this nation is today and they will say that it is the high level of personal debt that many of the people across the nation are carrying. Since this century has begun, many people have...... - Real Grooves and CLASH45 presents Bunka Vibe @ ageHa on Saturday July 4th L&G, Keen to celebrate Canada-Japan musical relations this Canada Day weekend? Well, Rotation is celebrating its 10th anniversary and getting back to its roots by bringing several of its original Canadian artists into a mini festival of sorts here in Tokyo at Ageha. If you're keen to check it out,......
- Robert Trujillo: Bassist for Metallica Metallica was up to the task of performing at Ozzfest this year, for they commanded the attention of the massive stadium. Robert Trujillo was rocking for over two hours with drummer Lars Ulrich, singer/guitarist James Hetfield and lead guitarist Kirk Hammett, all of whom brought forth a power that made......
-
Macau International Music Festival. 9 Oct - 8 Nov 09 The Cultural Affairs Bureau of the Macau SAR Government presents the 23rd Macau International Music Festival (MIMF) from October 9th to November 8th, 2009. Each year the Macau International Music Festival brings internationally renowned artists from all over the world to Macau. Over the course of its decades-long history, it......
-
Subscribe
-
Categories
-
Links
- Listen to Music Online - Direct link to mp3s you can download. You can freely Listen to Music Online, this way!
- Shop for Car - Shop for Car means Huge Car Deals! Also Auto Parts and Auto Accessories!
- Shop for Clothes - Find the Lowest Prices on Footwear, Handbags, Shirts and Outdoor Gear!
- Shop for Computer - Best Computer and Consumer Electronics Brands.
- Subscribe by Email - Subscribe to receive daily email with ManuelMarino.com newest content.
- XML Sitemap
-
Meta
-
Editorial Endorsements
