An Explosion Of Blues Music

June 20, 2008

Author of this article is Robert Benson. He writes about rock and pop music, vinyl record collecting and operates CollectingVinylRecords.com, where you can pick up a copy of his ebook called “The Fascinating Hobby Of Vinyl Record Collecting.” You can have your vinyl records appraised at VinylRecordAppraisals.com.

An Explosion Of Blues Music

Anyone who has ever listened to the “Blues” knows that it is more than just music, but an inspiration, an unfolding of the emotions that we all feel. From Muddy Waters, John Lee Hooker, Willie Dixon and many other influential Blues legends, to the more contemporary Blues artists such as Robert Cray, Eric Clapton and Stevie Ray Vaughan, Blue’s music has and always be a part of out musical heritage.

Capturing the essence and spirit that the Blues represent is a novel “Blues Musical” called “The Tear Jar.” Not focusing on a particular band or individual, the “Tear Jar” instead is a collaboration and meeting of the minds of many talented people including producer Chris Bravacos, song writer Robert Welch, audio engineer Frank Silver and writer Jerry King Musser.

Blended into the musical are the rare talents of musicians such as: industry veteran Diane Wilson (singing the character of Savannah), talented Bluesman Don Johnson (singing the character of Mason Ball), Blues guitar virtuoso Jared James Nichols (singing the character of JD Hunter), Jazz sensation Rose Hudson (singing the part of Chandra), veteran Gospel singer Eugene Barclift (playing the character of Stubs) and Soul Music vet Charles Lee (as the Preacher), among others.

To set up the story, one needs to know what a ‘tear jar’ is and what it represents. In ancient cultures, water was a prized possession and giving up water from one’s own body, in the form of tears, was considered a personal sacrifice. They would catch their precious tears in tiny pitchers or ‘tear jars.” The ‘saved’ tears could then be used to ward off evil or to help a sick child. The writer takes this belief and implements into the storyline and applies it to the infectious Blues songs that encompass and define the musical. Here is a brief synopsis of the story:

“Seasoned, itinerant blues man, Mason Ball, returns to The Blue Rose, a club in which he enjoys playing, with an owner he deeply ‘admires.’ Upon his arrival, he’s surprised to discover that a ‘new kid in town’ has claimed the stage and attention of an appreciative audience. This young upstart, one JD Hunter, is unwilling to relinquish the limelight and makes it clear that the ‘old blues’ is dead. To add to the tension, Mason’s private love interest shares with him a serious, personal loss. Frustrated with his inability to appease her emotional pain, Mason dips his finger into a jar of tears given him by his recently departed mother and touches her with the potion. This act, apparently, manifests in wondrous results… relieving her of her anguish. Mason doubts his healing powers, yet can’t dismiss the changes he seems to have made. When word gets out, the audience demands Mason’s appearance onstage and seem to come for his ‘gift of healing’ as much as his gift of song. JD challenges Mason’s abilities, those both spiritual and musical. When a plan to expose Mason backfires, JD Hunter learns what it’s like to be on the receiving end of ‘the gift.’ But, gift or not, the characters in this story find themselves at a new place in their lives after discovering life’s potential magic is available to anyone.”

I have not seen the production, but have listened to some of the music and was overjoyed to hear a dizzying array of crisp, fresh Blues cuts that are certain to be standards and will have die-hard Blues fans clamoring for more.

“When Does The Healing Begin” is full of Gospel-fueled licks and superb vocals that fuses the Blues and Gospel in an explosion of sound. The cut called “The Magic,” like any great Blues song, just bleeds emotion, from the growling vocals and the Stevie Ray Vaughan-like riffs, yet it still remains achingly tender. “Satisfier” is expertly played and sang, with sultry vocals and is sung with immeasurable passion and strength. “I’m Gone,” is bound to become a classic blues rocker, tight and structured, and just compels you to bob your head or tap your foot with melodic adventure. “Stormbringer” perfectly fuses Soul and Blues music, with impassioned vocals and stellar guitar and organ work.

“The Tear Jar” is bound to become an instant classic Blues production, with fresh Blues music for all fans of the genre, who are sure to be pleased with the efforts of all the performers and everyone who is involved with this wondrous project. In its beginning stages, “The Tear Jar” has a performance slated for the Sunoco Performance Theater on Thursday, August 7 and Friday August 8, 2008 in Harrisburg, Pennsylvania. And with an intriguing storyline, a stellar cast and new Blues standards, it will soon make a bold impression in the music world and specifically Blues music.

To learn more about this inventive project and learn more about the players visit TearJar.com.

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Growing Independent Film Industry in the Southeast

January 11, 2008

Heidi Yost wrote this exclusive article. Heidi (photo) is a talented actress. In this article, she explains Film Industry situation in the southeast, talks about her experience as artist and gives also important hints for the new actors.

Growing Independent Film Industry in the Southeast

When I returned home to Louisville, Kentucky from my three year-long stint in Los Angeles as a professional actress I expected more. I anticipated that my recent win as a Marilyn Monroe Look-Alike by Premiere Magazine and my appearances on Beverly Hills 90210 and Matlock would have every talent and casting agent in Louisville falling over themselves to represent and utilize my homegrown talents and experience. It didn’t happen. I felt like Yukon Cornelius after I swung my mining pick into the ground and brought it to my mouth to taste for traces of the delicious silver and gold acting opportunities at home and “Nuthin’. Hello, I won the Marilyn Monroe look-alike contest!

Fifteen years later, to my delight everything is coming up roses in the Southeast independent film industry. Is it because I am no longer a platinum blonde ingénue and now a sultry redhead? Is it due to widely available and affordable video and film equipment? Has the increase of Los Angeles film location shooting in Kentucky infused the film community here: ELIZABETHTOWN, SEABISCUIT, THE INSIDER, STRIPES, etc, etc? The 48 Hour Film Festival, among others may have tempted some independent film makers who otherwise would not have stepped behind a camera with simple, short formats and alluring prizes. How wonderful to have developed an extensive filmography in my own hometown due to the indy boom.

Louisville has had a thriving arts community for the entirety of my life. The city has claimed a local ballet, orchestra and professional theater company: Actors Theater of Louisville (that had everyone I auditioned for in Los Angeles inquiring). The River City also boasts a cultural center, the Kentucky Center for the Arts that is used for a myriad of artistic and mind expanding events—from K.D. Lang concerts to poetry readings by Maya Angelou.

The semi-professional theaters in Louisville are also noteworthy and prolific. I cut my teeth at the KY Contemporary Theater before I got my B.A. and moved west. Pandora Productions produced a compelling version of SOUTHERN BAPTIST SISSIES. Since, then Susan Linville, Founder and actress at the Necessary Theater has offered amazing productions with compelling new scripts as does Looking for Lillith. The recent one-woman show WOMEN SPEAK IRAQ developed and performed by Shannon Woolsey was performed with such virtuosity and passion for the widest range of opinions and postures I could imagine.

My training, my stage and life experiences experience have given me the depth that I claim and utilize now as a film actress. Oftentimes, people will ask me which medium is my favorite. They both have their draws. In the live theater experience, the actress has the opportunity to get immediate feedback from the audience, has a substantial amount of time to build emotional crescendos and has the obligation and luxury to live in the moment and keep going whatever the immediate reality (not fun when scenery or a co-actor is falling on your head).

Film offers the luxury of another take, if the first one or fifteen takes aren’t the cat’s meow, you can do another. Film tends to pay better. (However, anyone who acts for the pay is a little misguided). You can capture the moment forever on film (This can be most upsetting for some who aren’t involved in savory productions). Most films have a larger audience than the theater does.

Advice for the film actress: study. If you wish to be an actress, learn from the best in your community who teach. Do not study under an opera diva and expect that you will be taught the subtleties of a fine camera performance. Do not study at modeling agencies who are primarily interested in increasing their bank accounts. Study under those who have the experience you are seeking. Universities are an excellent place to learn and perform as an actress.

If you are younger than college-age and wish to act, go see as many plays and films as you can. If you enjoy someone in a stage performance, find out his/her name and if you may have a few minutes of their time to see how they gained their polish. Community theater is a great place to start. Hopefully you will get a sane director and be able to squeeze into the cast despite the member of the board of director’s narcissistic casting. If you think that Hollywood is political—spend a summer in a community theater!

Surround yourself with positive people. If you consider someone incredibly talented as an actor or director, but he/she is constantly negative, overbearing or abusive—go elsewhere. Life is too short and no matter how badly you want to act—it’s not worth it.

The directors that have had the distinct pleasure of working with are great collaborators. Chris Courson from Lightspeed Productions first cast me as a lead in his film called EMMA’S CODE for Louisville’s 48 Hour Film Festival. Immediately after that in July 2007 he wrote the most amazing short called CIRCUS NUTS and cast me again as a lead. We were so pleased with the results we will be shooting a feature-length on this premise this summer.

Chase Dudley is a young director who was open to my suggestions when he needed other quality actors for the independent feature film LAST SEEN ALIVE (knowing people always helps good actors who are easy to work with get cast). Tracy Dudley his wife wrote an amazing screenplay with a strong female lead, Detective Malone. Tracy was very open to working together to make the script and character as believable and formidable as possible. The process and final product was such that we are planning on working together on a sequel in 2008. LAST SEEN ALIVE will be available at www.amazon.com in late January 2008.

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Inspired by nature

January 8, 2008

Artist Robert Tucker talks about himself and his artist experience in this exclusive article.

Inspired by nature

The glorious portal of a new year is again upon me. My mind has wondered since the start of 2008 as to which direction my creative self will take.
For me a torrent of feelings were released in 2007 through the making of art. Every human being is subjected to art from the moment of birth until death regardless if they want to or not, the mean-spirited and soulful alike.
Working in both two and three dimensional art since childhood has given me a wide vista to express myself.

2007 started with exhibiting sculpture in a two person show in southern California. New Zealand, Texas, Michigan, France and Massachusetts all housed my collages in one venue or another. The year ended creating very personal mosaics of marble, tile and broken antique cups, something I had never tried before.

A year has not gone by that I can remember that collage was not part of my creative being. I have no doubt that collage started shortly after paper was invented in China around 200 B.C.
If memory serves me well the first paper collage examples known are the work of twelfth-century Japanese calligraphers, who prepared surfaces by gluing bits of fabric and paper to create a unique background for brushstrokes.

In the seventies I did some bookbinding and papermaking in my studio. Collage was often used in the fifteenth and sixteenth century in bookbinding.
George Braque and Pablo Picasso utilized collage at the turn of the 20th century making it popular and understood by the masses. Thinking back at the history of collage I cannot help but think of my personal history of collage which started at early childhood. My father was in the paper business so rolls, reams and stacks of paper were always around me, fuel for the imagination.

The fact that collage is different from other art forms because it does not dictate a particular style is an excellent medium for both the beginner and the experienced artist.
The multiple layers collage can offer an artist gives countless realms and realities.
Realms have always played a big part in my life, in my art, in my mind and my soul that is why the realm of multi-player online games took me by storm seven years ago. It was yet another avenue to express myself. I became so enthralled with these worlds/realms I became a writer/reporter for one of the largest gaming site in the world, Stratics.com.
This realm or shard afforded me a creative outlet were I could me anonymous. I was afforded that same luxury, pleasure by writing under a pseudonym for the website.

Many years back I remember a lady came through my studio during a tour hosted by the Junior League of a major art museum making the claim, “To be a great artist you must travel and travel often”. I thought the comment absurd then and I do today. I traveled to Egypt this past year and experienced the Nile River from Cairo to Abu Simbel. The textures, smells and sounds left an impression that is for sure from this exotic place. I live in my own little world like so many artists and travel has never been needed to take a journey and the journey is the seed for me. I can germinate in my own backyard just fine.

What will grow this year I still ask myself.

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Music Geek

December 19, 2007

Robin Mookerjee is a songwriter obsessed with music. Is this a good thing? Or a bad thing? I can say he is a real music geek! Read his story and check his website.

Music Geek

I’m really a fan as much as a songwriter, but a lot of songwriters say that. Elvis Costello, Elton John. They were fans first. But I was a serious fan, probably like most people who listen to “dark” music. Great songs got me through my adolescence. They got me through breakups. They kept me company.

So, you can tell I’m a music geek. I wanted to write songs before I wanted a tricycle. I came from a classical music family. Popular music was practically banned – it was trash. They made me take violin lessons. So, naturally, I got an electric guitar. And – no kidding – it was from SEARS. I learned chords. I wanted to be a new waver. I got older and got an asymmetric haircut. No matter what else I did, music was always first for me.

But I NEVER had hip taste, and I was kind of ashamed of that. I liked some alternative and punk bands, but I liked top forty groups, commercial stuff – whatever struck me as real. My friends hated anything with synthesizers, so I hid my New Order cds. I’m kind of disagreeable that way. That’s why it was weird when I became involved with a VERY HIP band. They were everything: goth, emo, industrial, electro, Madchester, trance, ambient, straight rock… Everything except metal, hip hop, or country. This band, Bleak House, in Pennsylvania, was driven by big egos and weird hair. The local bars where we played had country music on the jukebox. They took one look at us with our weird clothes and hair and yelling at us. It was the egos that sunk the band. I couldn’t get along with the drummer who smoked pot all day and watched the Cartoon Channel, or the bassist, my ex-girlfriend, who thought she could sing like Aretha Franklin. We broke up.

That’s when it hit me. I wasn’t hip and never would be. I liked songs that rocked, sure, with attitude, but also sentimental heartfelt stuff. Most of all, I loved an amazing melody. I wanted to crack the secret of how songwriters came up with a melody that everyone wanted to hum. That is my obsession. Unfortunately, I had a day job and not much time to pursue this obsession, except in my mind.

End of story? No, because one Christmas my sister sent me a digital recording program – Cakewalk. One weekend I learned it. I’m still not that good at using these programs – I’m a songwriter, not a producer – but, anyway, I got TOTALLY OBSESSED with music again. I started recording and writing songs, and I couldn’t stop. And a funny thing happened. I decided to be myself. I wasn’t an acid-rave-nu-techno-retro-psychedelic punk. I was a guy who LOVED great songs. Everything from the Stones to Paul Simon to Dire Straits to The Cure to Smashing Pumpkins to Coldplay… Even Hall & Oates. Anything with a great melody and some heart and soul. The songs started pouring out of me, and I got some musicians in to help with bass and percussion parts. They sounded okay. They had hooks. I thought some as hits, at least the kind of song that used to be a hit, and I could imagine some tracks as somebody’s favorite song.

And another funny thing happened. The songs came out like Elliot Smith or Nick Drake or something. Not the tunes, which were pure pop, but the lyrics. They were about loss, death, uncertainty, basically saying “What’s it all about?” I never knew I was that morbid. Writing is funny that way. Like looking into a mirror and seeing someone else. Some songs were your basic, “I got dumped and I can’t deal with it” type thin. But none were particularly cheerful. So I called the album MISERABLISM.

Now I perform them in little bars in Brooklyn. Places where everyone is a garage punk / grindcore / progressive house / nu-metal / swamp-punk. And they actually like it, even though I’m basically just a guy who writes songs. My songs are for other people who needed pop music to survive growing up in America. That’s why their a bit sad. Because sad songs make you feel a little better.

It feels great just knowing my little creations are on people’s iPod playlists as they jog around and around a New York City park. Now I’m hooked, talking to record labels and renting time at a high class studio, very different from the pure indie setup on which I recorded “Miserablism.”

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Beautiful Scenery

November 29, 2007

This is another writing gem, from Jeff Doak, Application Developer for Sprint Nextel. He currently resides in Rome, NY, and has interests in music, nature, lifetime learning, programming. Lives with wife, three kids, cat, hermit crab, and fish. Check his “neglected” website.

Beautiful Scenery

Fall – my favorite time of year. Here in the Northeast U.S. it is a beautiful time of year. The snow is falling today, but not sticking. The wind has a chill to it, but not harsh. It is a great time for daydreaming and self reflection.

I find myself drifting in time to the days of my youth, even then this was my favorite time of year. I was in Germany then, but the climate was much like it is here. The scenery is excellent. I recall my walks and jogs through the woods there and the brief conversations with the locals. The man I never saw before who gave me a walking stick he had meticulously and painstakingly carved himself. The woman who remarked how beautiful the scenery was at the beginning of one of my strolls. The girl who had a crush on me, but I was to young and shy to notice. The magnificence of Neu Schwannstein castle.

I also am swept to the more solemn times. The visit to Dacau where I was overwhelmed by the smell of death in the air brought out by the rain. The memories of the Berlin wall before it later was brought down. The Russian solders at the train station that stood a pace apart the entire length of the stopped train. The visit to the large hill outside of Stuttgart that had been erected from the rubble of the post-war crushed city. And of course the cross at the top, large enough to see from a mile away that stated something to the affect of “Never again”.

Much has changed. I have a family and between them and my job I find little time for reflection, but it sure is nice when I can. Please take the time yourself to reflect on life, current and past, because reflection is one of the true rewards for being human.

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Life Journey

November 29, 2007

Rob Mitchell is a singer/songwriter from Nashville, TN. He has played songs around Nashville and appeared at the Bluebird Cafe. Musical influences are James Taylor, Jim Croce, Jimmy Buffett and John Denver. Rob is not a writer but what he wrote for us is a real writing gem:

Life Journey

Today the weather in Nashville is brisk. I woke to a chilly wind from the North whisking it’s way accross the dairy farm behind my home. Our dog is still curled deep in the cedar chips inside of her dog house as I fill her bowl with water. She stirs and looks at me with a bareful look. I think she wanted to sleep late too!

I notice my steps are short and stiff. The ache is evident in my thighs. Last night was the second of my new nightly routine of running. One mans quest to regain lost youth and health. As I walk back inside I make a mental note to learn to welcome the pain as that is my benchmark of progress. I’ll now cook breakfast for the kids and let my wife sleep late. She deserves the break.

After dropping the kids off at school I begin my 50 mile drive into work. I turn off the radio so I can reaquaint myself with my inner voice. That is the voice of my youth. I try to hear him encouraging me as he did in the old days. The clutter of my daily worries has driven him back into dark places as of late. When he went back there to the fringe of my forgotten subconscious is was when melancholy wandered in. I listen for him and his words of encouragement and hope as the asphalt ribbon runs beneath the car. He speaks softly at first. Unsure and not having the confidence that comes with youth. However the more I listen to him his voice becomes more assured.

I am still the person I was at 20, 25 and 30! So what if the road was more rugged than it appeared on the map. But isn’t every journey an adventure? Don’t all of us end up in detours sometimes or make a wrong turn or two on the road of life? We don’t stop the trip because we get lost. We look at the map again or we ask directions. What if where we finally end up isn’t where we thought we wanted to go? If we choose to linger here a while it can only mean that this isn’t such a bad place to be afterall. Hopefully we can learn from the experiences in our journey and if nothing else come of it; we can look back and say it was one heck of a road trip we took!

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Learning Photography

November 19, 2007

Massimo Mestichelli is an Italian photographer who discovered this Art recenty. We can read his new emotions and feelings in this exclusive “diary” he wrote for us.

Diary of an Italian Photographer

Less than one year ago, I introduced myself in the wondering world of photography buying my first digital reflex camera. Before this moment, I took shots with digital cameras (‘compact cameras’) using them with automatic settings. These cameras are very small and their portability is good for a lot of situations (vacations, birthday, etc.) but it’s difficult to take night shots, speedy events and so on. With my reflex, now, I can take shots of a lot of kinds I never thought before.Practice and technical documents are basilar in everything and photography isn’t an exception. Try, try and try again to find what you want, not what is beautiful. This is just my opinion but is my choice in photography.

Some days ago, I bought a webspace and I built and published my personal website dedicated to the digital photography. You can find classical shots but there a lot of uncommon photos. It’s a kind of diary where I can share with all you my preferred shots, not the best because everyone has a different opinion about the same photo. Every photo has an own history.

I relax myself when I put the camera in the bag, drive my car and stop it wherever my mind feel an emotion. Turn on the camera and i find to take the best emotional shots.

Many times, my friends told me their opinions about some photos that they like for the colors, the subject but are estetic sensations…mine are deep emotions because I lived the moment, I choose the moment, I materialized an emotion…great!

I imagine that visitors of my site can’t ‘live’ my diary at the same mode of mine, but I hope that I can give you some frames of my emotions.

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Digital Painting

November 9, 2007

Jeremy White wrote this article exclusively for us. Jeremy is currently in the throngs of several projects and sub projects in digital art (2d here, 3d there), computer programming, and some hobby-level music production. Actually, all of it is hobby level, but… who cares? I consider Jeremy a real artist in digital painting, read the article and you’ll know why.

Digital Painting

Hello! I’ve been doing digital painting for a surprisingly short amount of time, but thought that since I’ve got around two years under my belt, I might as well voice some thoughts on the subject. I’m only a hobbyist, but I’ve graduated to CS3 recently and have had a Wacom tablet for some time and it appears that’s the standard layout for most people.

I started art when I was very young in the sense that I enjoyed writing short stories and loved to try to draw Ren & Stimpy characters. Sadly, I let that die away when I reached high school and never really cared again for art until things came to college. I found myself so bored in calculus and other studies that I’d draw in my notebook. At some point, I got very addicted to drawing my dreams and yet I couldn’t get color because I didn’t really want to mess with paint in a dorm room. Anyone who’s been there knows that they don’t take lightly to anyone getting paint all over the furniture and I just knew that’s the kind of person I am. That’s right… my first impulse was that digital art was pretty clean. And I’m no neat-freak in any capacity. My room vacillates from messy to sterile several times a month.

So, going in to digital painting, my inspirations were people who did a lot of concept art and also landscapes. One especially prominent fellow comes to mind whom you can look at over here. An example of his 2d digital painting style is here. Some artists avoid stroke work and try to be purely realistic but I especially think the joy comes out when you can blend things fairly well. I’m trying to get there, but sometimes I veer off like in the art work of paper XI. A good tutorial of his method can be found here (I love this method too… forgive my bias here). Someone once told me “Wow… it’s like painting with pen-pricks of light”. I especially enjoy the feeling of wielding millions of little variable colored flashlights.

It’s an entirely different thing when you print your work out, but I prefer to keep it all digital when possible. I guess it feels cool to throw out something you did with no real cost on how many copies you make. I know that people steal digital media left and right, too. I don’t so much care about ‘pirates’, but when I say “steal”, I speak of those who claim they did a piece of work when in fact it was based on someone else’s effort or maybe entirely just a copy. It’s a very tragic side effect.

Still, it’s amazingly fun to look back from digital painting and smile and say to a traditionalist “Hey, does your oil paint have an Undo? My media does.” But sadly, when I go back to drawing on paper, I find myself searching for Ctrl-Z all the time and looking like a goofball.

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Creative Ideas (Part Two)

November 7, 2007

This is the Part Two of the powerful article by Deremiah. (Part One)

Creative Ideas (Part Two)

RELATIONSHIPS INFLUENCE THE POWER OF YOUR IDEAS…

Brian Tracy who has done a lot of research to compile the information in his wonderful book “CREATE YOUR OWN FUTURE” expresses in Chapter 7, page 115 that Relationships Are Essential toward the development of your future. The Power of Ideas are improved by the friendships we develop and nurture. Most people underestimate how their friends impact the direction they are going and will continue to go in as a result of the company they choose. Sometimes you have to realign yourself with new partnerships in business, new personal and business relationships just to place yourself in a more positively influential environment with others who have the same values that you do. When you begin to hang out, spend time talking with people who reflect the kinds of attitudes that uplift you. It’s just as important to get yourself moving in the right direction as it is to get an electric current to the right appliance or device you’re trying to power. Like electric current powerful ideas have to be directed. It’s very important that if we want to be successful business people that we need to hang out with other successful business people. If you want to be elevating the level of the power of your ideas you need to begin to elevate your level of friendships. Edward Bernays said it best in his book called “Propaganda” where he references many times that a large volume of our society is often being governed by a small handful of influential people. So who are the small influential players in your commiunity? How could you influence the relationships you desire to have in the art world, the music world, or the business world that governs a great deal of the future direction of those industries? Finally how can you gain recognition and be known as one of the Kings or Queens of your industry?

ELECTRICITY AND THE POWER OF IDEAS BOTH OPERATE IN STREAMS…

Real electric power moves in streams we call currents. Those currents flow in the direction we aim them in. Now the Power of Ideas works the same way. The more powerful the idea the more others join in to move along with the flow of our stream. So it becomes very important that others know that the ideas that we have are electric. The sooner others find out and hear or see the impact that our elecritc current has the better it is for us and the sooner they can jump into the stream and add to the flow of the current. When an idea doesn’t have a charge it will fail to add it’s electricity to the atmosphere. It’s like the creative atmosphere of our house when I was a child was conducive for bringing about more artistic gifts because the atmosphere was charged with a certain current for the arts. How can you charge the atmosphere of your home or your job to create the type of electricity that gives your ideas the power to channel themselves into a boisterous stream that grows?

WHAT YOU CAN DO RIGHT NOW TO INFLUENCE THE POWER OF YOUR IDEAS.

I have over 21 things you can do to unleash the “Power of Ideas” but I’ll give you 4 today that will free you up to live more creatively right now. If you’d like to get 3 more Free ideas shoot me an email at deremiahcpe@gmail.com . And the first 20 people to respond who use the headline “More Power of Ideas for me, Deremiah *CPE” and give me their name and mailing address I’ll give you a Free opportunity to coach you via email (which means I’ll respond to no more than 7 of your emails…working toward helping you to solve the problem). Here are the four I said I would share with you right now.
1.) Make a list of 7 people you’d like to meet and then get on the internet and get to introducing yourself.
2.) Get a journal today and start using your journal like a Fishing Net to capture all the ideas you’re loosing.
3.) Turn your TV off for the next 30 days and dedicate your TV time to making one or more goals develop.
4.) Get a pack of 25 Thank you cards and force yourself to Thank at least 5 people everyday.

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Creative Ideas (Part One)

November 1, 2007

Like the power of electricity your Ideas have greater impact when they rapidly flow in concentrated streams of thought. You’ll find this and more in the article wrote by Deremiah, exclusively for ManuelMarino.com . Deremiah *CPE (Customer Passion Evangelist), is the winner of the 2004 Nightingale-Conant Acres of Diamonds Award and one of the top marketing experts on MarketingProfs.com. Deremiah (www.byderemiah.com) writes extensively on marketing and business communications. Learn more about Deremiah and his easy to read smart book, 52 Great Weeks: how to quickly develop unforgettable, inspirational service when you don’t have time. Contact him at deremiahcpe@gmail.com.

And now… the article:

The Power of Ideas (Part One)

Although I’ve been drawing most of my life I can only really remember having the ability to control this talent somewhere around 4 years old. By the time I turned five I got a hold of an oil Paint by Number set. It was one of those cheap simulated board canvases with numbers that matched the numbers on the small plastic oil paint containers and they came with a few red enamel paint brushes. My mom who was very creative used these paint by number kits to paint pictures for the walls in the duplex we lived in. She often did these kinds of things along with sewing clothes. In between all this she’d drive out to the military base to create these ceramic roosters and salt & pepper shakers she used to make. Every now and then she’d take me along. There were very large multiple rooms like a cafeteria style set up and most of the attendees were military housewives. In one area they’d create the ceramic figures, in another they’d paint the figurines and in the last room is where they’d fire the objects that were painted in these ovens they called kilns. We were living in Fairbanks Alaska at the time because my dad was stationed there in the U.S. Army. During this time my father had an amazing collection of music and he used to love to sing in his spare time. But occasionally I would find him at the kitchen table doing a few figure drawings of people. My dad was very good at drawing full figure images of people and it was during this time that I began to recognize that I too had the gift to draw and the power to control my ideas. In this kind of environment burgeoning with creativity is where I uncovered multiple gifts. This is also where I experienced the beginning of my discovery of how diverse gifts influence one another and spring forth through the power of ideas.

THE OUTER WORLD CREATES ENVIRONMENTS FOR THE INNER WORLD…

It is easy for most people to see how we are shaped by the environments of our communities. Having lived in 13 cities here in the US and two cities in Germany and being a teacher of history I see very clearly how environments affect everything. We are all shaped by the geographical land masses, oceans and climates of the environments we live in. Those things alone dictate everything from what kind of clothes we were, which trickles down to how we look, what kinds of crops we grow, the things we manufacture, what we eat and even how we speak. But it doesn’t end there we are influenced by cultures, religions and the races of people and these things likewise affect everything I named above. However beyond those basic influences of culture, religion and races and our environment there are other things that also affect how we think and eventually how we behave. And with all these outer influences shaping and affecting who we become it is so easy to forget that there is an inner world of influence…a world of thoughts and ideas that eventually have more impact upon who we become than all the changes in weather put together could ever have upon us. It is here in the environment of our inner-hemispheres that we have the greatest control upon our present condition when we use the power of ideas to fuel our successes.

IF YOUR IDEAS ARE POWERFUL THEY’RE INFLUENCING THE WORLD…

Are your ideas influencing the world? Shoot me an email at deremiahcpe@gmail.com and share with me how your ideas are influencing the world. Think about it! It was the power of ideas that brought your parents together. And the power of their ideas that influenced the future of the world’s collective ideas when you were consumated and birthed into this planet. Every member of the world is a part of the collective governing body of our world, our countries, our cities and our communities through the power of ideas. From Steve Jobs release of the iphone to CNN’s release of the news everyone is influencing the power of ideas. Every person within this creation we call earth has the complete authority to change the future direction of this world through the ideas they release. Whether their ideas are productive or unproductive they still have influence. Like the butterflies in China can impact the weather in Italy we have the ability to affect the future climate of ideas. But the kind of effects that we desire to have must be considered before we take action. Often times our ideas are creating environments for us that are not strong enough to resonate the kind of powerful influence we want them to have. If you desire to really use the power of ideas to work in your benefit remember that powerful ideas have a life force that is very influential. So don’t you want to start thinking about choosing the kind of ideas that could really influence the world? (Part Two)

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• Many Minds in a Single Soul In a sense I am of two minds. It is even the focus of our MySpace comment. There are many minds in a single soul, but in truth reconciling I am of one mind. They say love is a law, the highest law. Inside of me there is a......
• Power of the Trickster How do we use the power of the trickster? The power of the trickster is to some degree behind all occult practices. To do a great work you must be prepared to put aside your belief in "the truth". To create anything truly new, you have to reject other ideas.......
• Ethanol As Fuel - The Future Of Travel Or A Very Bad Idea? I was talking with my wife the other day and the subject of using corn as fuel for transportation came up. She brought up an interesting point that I guess I really had not thought of...why in the world would we grow food only to use it to get around?......

Posted by Manuel Marino | Filed Under Business, Culture, Ideas | Leave a Comment 

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