The B52’s, London Roundhouse
August 19, 2008
Wade Crawley is back with a great B52 concert review! If you remember, Wade wrote for us Punk music in the late seventies. Now read his new exclusive article for ManuelMarino.com!
The B52’s, London Roundhouse
It was on a hot and very sweaty summer night in London’s trendy Camden and a packed audience of all ages and types gathered at the re-opened Roundhouse. They were all there to see that perennial party band, still together for over 30 years, the B52’s. It was ridiculously hot with many people standing and sweating profusely, but this didn’t diminish the anticipation of the crowd one bit. This became evident before the band even came out with many of them singing along vociferously to Talking Head’s ‘Psycho Killer’ when played by the club’s DJ. Then the lights went down and the words “Hello London, we’re the B52’s” was greeted by a loud roar as the band walked out onto the stage.
Touring to promote their first album in 16 years Funplex, the B52’s showed the sell-out crowd they still have the ability to turn out superbly crafted pop songs. The line up of Fred Schneider, Cindy Wilson, Kate Pierson and Keith Strickland have proved over the years they are masters of the art of catchy, pop songwriting and they treated the crowd to all of their hits and more in their uniquely frivolous and eccentric manner. The B52’s have crafted and honed their electro-beat, new wave, dance sound over 30 years and it’s still impossible to categorise.
Backed up by three backing musicians, the B52’s were in fine form. The soaring harmonies of Wilson and Pierson sounded as good as ever, while the wonderfully camp interjections of Schneider made sure everybody in the audience had a smile on their face for the duration. Along with the more humorous and wacky songs like ‘Private Idaho’ and ‘Party Out Of Bounds,’ with ‘Give Me Back My Man’ and current single ‘Juliet Of The Spirits,’ the B52’s proved they can also do serious and soulful. Their set consisted of the obligatory songs from the current album such as ‘Funplex’ and ‘Pump,’ interspersed with many of the old favourites like ‘Strobe Light,’ and ‘Mesopotamia.’
Judging by the enthusiastic reaction to the older material, it was obvious that the audience consisted of many of their older, long-term fans but there was also a surprising amount of young fans, many of whom were perched up high on their father’s shoulders. To the audience’s delight, the hits came thick and fast with Wilson and Pierson’s sixties style dance routines, Schneider’s deadpan but camp delivery and Strickland’s choppy and distorted ‘rock style’ guitar. What with their wild and wacky image it’s easy to overlook, but make no mistake, these guys are all excellent musicians in their own right.
The harmonies of the two ladies are as good as you’ll find anywhere in popular music, whereas one time drummer Strickland now stands at the front of the stage, giving us all the classic ‘rock’ guitar style poses. Schneider isn’t as animated as he used to be but the B52’s wouldn’t be the same without his perfectly timed ‘camp as they come’ vocals.
To the crowd’s delight, they inevitably get to their most well loved song ‘Love Shack.’ It is one of those songs that always gets everybody dancing at parties and wedding receptions. Where everybody from the youngest children to the oldest grannies knows the words and the Roundhouse crowd were no different. “The whole shack shimmied” barks Schneider and the crowd sing along as one. Personally, I was surprised they didn’t save ‘Love Shack’ for the encore but the crowd didn’t seem to care.
We eventually got two encores. ‘Rock Lobster’ which was the first B52’s song I ever heard as a teenager in 1980 and ‘Planet Claire’ with it’s 1960’s secret agent movie vibe. The sweat soaked crowd were on their last legs by then. The Roundhouse management obviously thought that the English summer wasn’t long enough to justify installing air conditioning, but many were ready to feint at the end. This wasn’t enough, however, to stop most of the crowd from leaving with large grins on their faces. It left many of us feeling that the world is a more fun place with the B52’s in it.
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Walk Hard: a Retro-Styled Philosophy?
August 2, 2008
Yesterday I’ve seen Walk Hard: The Dewey Cox Story with a great John C. Reilly. It is a parody movie, a spoof of every musical biopic where John as music star Dewey Cox covers every musical style from Elvis to the Beach Boys over five decades. Dialogue and sequences are funny and goofy and the jokes never are boring. Since this is not exactly a review, I won’t tell more about the movie. What I would like to focus on is the philosophy behind the movie.
Walk Hard: a Retro-Styled Philosophy?
Dewey Cox kills his brother and begins an impressive quest to become a legendary artist. All is based on the “feeling guilty” system. He feels guilty, so he swear he’ll become big to please his brother soul (that was a talented young pianist). Feelings of guilt occur because deep down in your subconscious you have become emotionally attached to an event that you feel in some way responsible for, either you feel that you did something wrong, feel that you didn’t do enough or feel that you should have done something.
Of course, he killed his brother! Yes, but can we say he is punishing himself trying to become a legend? In the end of the movie there is the answer to this question.
Another philosophy behind the movie is the “Walk Hard” philosophy. It’s also the first song of the movie (and of the soundtrack album, a must!) and I really love it. Dewey say, that even if you’ve been told time and time again that you’re always gonna lose, life’s a race, and he is in it to win it. Some kind of people always try to control us, making us obedient. It’s a kind of psychological war out there! Dewey says no to this system and wants to free himself and walk hard up to the top of the mountain high. He still got a dream and a burning rage to live.
This is everything about being artists, about artists goals and principles. Probably also a retro-styled philosophy of the past, maybe also modern someway. But it is connected also to the “feel guilty” issue.
He has a dream, becoming a legend. Is it a real dream? Or he just wants to please his brother soul? He is not strong enough to resist to temptations. Sex, drugs are part of his everyday’s life. Is he really happy while pursuing his dream? Are we able to really understand what is our personal dream and life’s goal? I think that happiness is all about this, to really understand our goals. This is what Dewey finds at the end of his long and troubled life. I wish us all to discover this before the end of our lifes :)
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A software that helps you to be a novelist
July 28, 2008
Erick Behymer wrote for us The Djinn Chronicles. Now he is back with the review of MyNovel. MyNovel is a novel writing software. It contains a complete word processor and will get you to think about and plan your characters, settings, and the events that will form the skeleton of your novel. But let’s read Erick review about this unique software.
A software that helps you to be a novelist
Rarely when testing software (mostly security related stuff), am I impressed by anything. I will spend hours picking apart a program, attempting to find any flaw or blemish, major or minor. When I was first approached to test MyNovel, I donned my glasses of pessimism expecting the worst. This is not meant as a detractment, it’s just something I do.
At a quick glance, MyNovel appears to be a standard word processing application, however, there are several major differences/enhancements. The first, and most striking is the ability to create a story template. At any point, you can change the details of your novel, add diagrams, events, characters, places, objects and even check progress/completion.
There’s even an “inspiration” option readily available. Specifically, the character and place generators are rather impressive, as you can choose between various name types. If that weren’t enough, you can choose and/or customize a color scheme.
Once you’re finished with your MyNovel project, there is a fairly comprehensive list of publishers available to choose from, along with relevant contact information and requirements. This takes a lot of the hassle of looking for a book publisher using a search engine.
All of these features are put together in an easy-to-use-easy-to-remember interface. MyNovel’s tools are put right at your fingertips, so there’s no endless searching to find what you need. Regardless of whether you’re a novice or a seasoned veteran to writing, I would strongly recommend that you take time to give MyNovel a try.
For the computer savvy, I have compiled a list of observations below:
MyNovel is fairly impressive, and has quite a bit of potential not only in features, but also performance. When idle, the program takes up a less than 3MB of RAM and during the most intensive states, 12-19MB. If that wasn’t impressive enough, it only requires ~25MB of disk space for a full install. Even running MyNovel at full throttle, it remained fairly quick and responsive to user interaction.
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