Manuel Marino - Music, Arts, People, Ideas

E-commerce, a cultural fact?

November 1st, 2008

E-commerce, online marketing, shopping, globalization, innovation are all linked together. It is becoming a real huge cultural fact, to be studied, to be understood to comprehend our world and where this world is going to in the near future.

E-commerce, a cultural fact?

Global E-Commerce and Online Marketing: Watching the Evolution By Nikhilesh Dholakia is a great book that explains all of this.

Specialists from business and academia present a meticulously researched, compelling examination of the effect that globalization, innovation, and relentless technological competition are having on the development of e-commerce and marketing. The editors offer practical managerial insights, important empirical findings, and new ways to comprehend the intricacies of the fast-morphing world of electronic business.

Another book that really catched me is Cyberpop: Digital Lifestyles and Commodity Culture by Sidney Eve Matrix.

Cyberpop: Digital Lifestyles and Commodity Culture is an analysis of cyberculture and its popular cultural productions. Each chapter focus on a particular cyberfiguration, including Hollywood films (GATTACA, The Matrix), popular literature (William Gibson’s Neuromancer, Scott Westerfeld’s Polymorph), advertising for digital products and services (AT&T’s “mLife” campaign), video games (Tomb Raider). Each close reading illustrates the ways in which representations of digital lifestyles and identities which typically fetishize computers and celebrate a “high tech” aesthetic encourage participation in digital capitalism and commodity cyberculture.

What I’m seeing on Internet and around me is an impressive and crazy explosion of virtual shops, like StreetWear-And-Red.com (also StreetWearAndRed.com). Goal of the shop is providing cool designs for the urban and street fashion along with elegant ideas for the modern gentlemen.

In the same explosion I can put my ebook and also my new CD with Rock and Metal Guitar Solos for Multimedia.

I’ve got just a fear, that all of this is going to result in a soap bubble in the future. How much will we be fascinated by the virtual world and how much can we stay far from reality? (Or virtuality is going to be our new reality?).



Amie Street Inc.


The B52’s, London Roundhouse

August 19th, 2008

Wade Crawley is back with a great B52 concert review! If you remember, Wade wrote for us Punk music in the late seventies. Now read his new exclusive article for ManuelMarino.com!

The B52’s, London Roundhouse

It was on a hot and very sweaty summer night in London’s trendy Camden and a packed audience of all ages and types gathered at the re-opened Roundhouse. They were all there to see that perennial party band, still together for over 30 years, the B52’s. It was ridiculously hot with many people standing and sweating profusely, but this didn’t diminish the anticipation of the crowd one bit. This became evident before the band even came out with many of them singing along vociferously to Talking Head’s ‘Psycho Killer’ when played by the club’s DJ. Then the lights went down and the words “Hello London, we’re the B52’s” was greeted by a loud roar as the band walked out onto the stage.

Touring to promote their first album in 16 years Funplex, the B52’s showed the sell-out crowd they still have the ability to turn out superbly crafted pop songs. The line up of Fred Schneider, Cindy Wilson, Kate Pierson and Keith Strickland have proved over the years they are masters of the art of catchy, pop songwriting and they treated the crowd to all of their hits and more in their uniquely frivolous and eccentric manner. The B52’s have crafted and honed their electro-beat, new wave, dance sound over 30 years and it’s still impossible to categorise.

Backed up by three backing musicians, the B52’s were in fine form. The soaring harmonies of Wilson and Pierson sounded as good as ever, while the wonderfully camp interjections of Schneider made sure everybody in the audience had a smile on their face for the duration. Along with the more humorous and wacky songs like ‘Private Idaho’ and ‘Party Out Of Bounds,’ with ‘Give Me Back My Man’ and current single ‘Juliet Of The Spirits,’ the B52’s proved they can also do serious and soulful. Their set consisted of the obligatory songs from the current album such as ‘Funplex’ and ‘Pump,’ interspersed with many of the old favourites like ‘Strobe Light,’ and ‘Mesopotamia.’

Judging by the enthusiastic reaction to the older material, it was obvious that the audience consisted of many of their older, long-term fans but there was also a surprising amount of young fans, many of whom were perched up high on their father’s shoulders. To the audience’s delight, the hits came thick and fast with Wilson and Pierson’s sixties style dance routines, Schneider’s deadpan but camp delivery and Strickland’s choppy and distorted ‘rock style’ guitar. What with their wild and wacky image it’s easy to overlook, but make no mistake, these guys are all excellent musicians in their own right.

The harmonies of the two ladies are as good as you’ll find anywhere in popular music, whereas one time drummer Strickland now stands at the front of the stage, giving us all the classic ‘rock’ guitar style poses. Schneider isn’t as animated as he used to be but the B52’s wouldn’t be the same without his perfectly timed ‘camp as they come’ vocals.

To the crowd’s delight, they inevitably get to their most well loved song ‘Love Shack.’ It is one of those songs that always gets everybody dancing at parties and wedding receptions. Where everybody from the youngest children to the oldest grannies knows the words and the Roundhouse crowd were no different. “The whole shack shimmied” barks Schneider and the crowd sing along as one. Personally, I was surprised they didn’t save ‘Love Shack’ for the encore but the crowd didn’t seem to care.

We eventually got two encores. ‘Rock Lobster’ which was the first B52’s song I ever heard as a teenager in 1980 and ‘Planet Claire’ with it’s 1960’s secret agent movie vibe. The sweat soaked crowd were on their last legs by then. The Roundhouse management obviously thought that the English summer wasn’t long enough to justify installing air conditioning, but many were ready to feint at the end. This wasn’t enough, however, to stop most of the crowd from leaving with large grins on their faces. It left many of us feeling that the world is a more fun place with the B52’s in it.



Amie Street Inc.


The Invictas are back

February 29th, 2008

Bruce Atchison is one of my Yahoo Group best members and he wrote this great article. Bruce is a legally blind freelance writer and the author of two books, When a Man Loves a Rabbit (Learning and Living With Bunnies) and Deliverance from Jericho (Six Years in a Blind School). The first memoir is about his fascinating experiences and discoveries made while living with rabbits in his home. The second is a chronicle of the years he spent in an institution for blind children during the sixties, hundreds of miles from all he knew and loved. More information, and free samples from his books, can be found via links on the Deliverance and When a man pages. Bruce lives in a tiny Alberta hamlet with his house rabbits, Neutrino, Sierra, and Deborah.

The Invictas are back

There seems to be a trend in the music industry where once-popular sixties acts are reuniting, The Lovin’ Spoonful and Herman’s Hermits being only two which are currently touring. A lesser-known but just-as-good group which reformed recently is The Invictas. With their garage band sound still relatively intact, the four original members and two new musicians toured in 2005 and 2006, delighting rock music fans of all ages.

It all started during 1960 in Rochester, New York when Herb Gross heard a group of older teens practicing rock music instrumentals in the basement of the house next door. He and a few local friends decided they should form a group of their own. After doing a bit of brainstorming with school friends, they named the band after Buic’s car called the Invicta. A local college bar, Tiny’s Bengel Inn, was looking for a house band and hired Herb’s group. As they perfected their sound and changed a few band members along the way, The Invictas began playing gigs at colleges up and down the east coast and even in Canada.

The Invictas’ provocative single hit song, The Hump, was inspired by a couple of dancers in front of the stage at Tiny’s who were “humping,” as they called it, to the music. Herb thought the idea was so interesting that he wrote lyrics and the tune in one week. A record producer from Buffalo, Steve Brodie, heard the song and asked the band about recording it. Since the band members were accustomed to live performances and playing The Hump in the studio made the song sound uninspired, Herb invited 30 friends, bought several cases of beer, and The Hump was recorded. In fact, their first album, Invictas A Go-Go, was completed in one weekend and released on the Sahara Records label.

Radio stations were rather prudish in 1966, refusing to play the hump because of it’s title and suggestive lyrics. The record was even banned in Boston, a fact which the band members still treasure. After hundreds of fans flooded radio stations with requests, the record was allowed on the air. It went to number one in Miami and made the top one hundred in America during August of 1966. In Rochester, some record stores were reporting that The Hump was even out-selling The Beatles. The Invictas also appeared on some local TV shows and played at the Watkins Glen Race Track. It was around that time when the band started driving a 1955 Cadillac hearse on stage as a promotional gimmick. The members, aping the British groups popular at that time, wore English riding boots, turtlenecks, fur jackets, and grew their hair long. They also played with famous acts as The Young Rascals, Gene Pitney, Gary Lewis and the Playboys, The Shirelles, and Otis Reading. Later, they opened for The Beach Boys.

The invictas became so popular that they required police escorts, had their own fan club, and attracted plenty of eager female fans. Girls waited for them on their front lawns and called them on the phone at all hours of the night. Bass player, Jim Kohler, came home late one evening to find that some groupies had actually broken into his apartment and prepared a meal for him. Herb was once chased by a crowd of girls across a street and into a department store, where he hid in a ladies’ changing room. Their hearse, which sported gold racing stripes and the band’s name in bold yellow lettering on the doors, proved to be unreliable, breaking down often on the way to gigs. Then the Vietnam war caused the band to break up.

The Invictas did reunite in 1980 for a festival tent gig. Then again in 1995, they played another gig, recording Long Tall Shorty and The Hump 95. Throughout the years, Herb had established his own advertising agency and was earning a substantial income. While he visited Invictas member Dave Hickey, Dave’s wife Marilyn suggested they go to a blues club called The Dinosaur and see a group named The Mary Haitz Band. Mary heard that the two Invictas members were there and asked them to play a number. Dave declined but Herb performed Long Tall Shorty. The crowd became excited and called out for him to play The Hump. Herb, having a Blues Brothers moment, realized that he had to get the band back together one more time.

The Invictas toured in 2005, launching their ’60s’ tour at a bar called the California Brew Haus. The members enjoyed the experience and crowd reaction at various venues so much that they toured again the next summer and recorded The Skip ‘N Go Naked tour live CD, named after a popular Tiny’s Bengel Inn drink made with gin, beer, and lemonade. Herb also found a 1984 model cadillac hearse for sale in Oklahoma City and had his friend Dan Parsons customize it to look like the original Invictas vehicle. The ’60s tour covered the northeast states and parts of Ontario while the Skip ‘n Go Naked tour happened in upstate New York. The Invictas played various northeast U. S. gigs in 2007 as well. Though the band lost money, they all plan to continue rocking into their retirement years.

For more information regarding The Invictas, and to download a free song called Red, White, Blue, and True, go to the www.theinvictas.com website. On this site is some band merchandise, including their 2 CDs and Banned In Boston, a DVD of them playing live. Herb also wrote Rock Till Ya Drop, a coffee table book about his group, featuring many photos of the band and their gear.



Amie Street Inc.


How Has the Internet Affected the Music Industry?

January 19th, 2008

This article is written by web designer Josh Gutteridge who runs Skyte Media. Skyte Media is based in the Midlands (England) and is a professional web design company that specialises in web design and development. Josh would like to receive comments about this article on his blog. But of course you can comment it also here, on ManuelMarino.com!

How Has the Internet Affected the Music Industry?

Music has always been something that has inspired mankind. Sir Thomas Beecham once said ‘a musicologist is a man who can read music but can’t hear it’. The pure beauty of music is that we can all listen to the same notes played by many different instruments, yet make our own individual conclusions with regards to what the music means to us; and nobody can argue.

It is not in the nature of this post to go in depth on musical history. Nonetheless, music has developed rapidly through the ages with the vinyl when it was first really used in 1948 by Columbia Records. Since then the music industry has seen the use of the Audio-Cassette and Compact Disc (CD).

Consequently, since the internet became more widely available it has made music more easily accessed by such means as Online Music Stores. There are thousands of these stores online including three of the most famous: iTunes, Napster and Rhapsody (US only). Let’s focus in on iTunes; an offshoot of the Apple Company.

I refer to iTunes as the ‘pied piper of the 21st century’ lulling people into easily downloading content with minimal hassle. iTunes is a free piece of software developed by the Apple company at Macworld Expo in San Francisco. This allows you to download digital music, music videos, television shows, iPod games, audio books, various pod casts and in the USA feature length films, and ringtones. Downloaded content can then be used to create your own play lists and personalised albums to burn to CD. It can also be transferred onto various different types of iPod including the new iPhone making music more accessible and easy to get hold of.

How does this affect the ordinary person who enjoys listening to their preferred genre(s) of music?

In this case, music has never been so easily manipulated and accessible. We live in a convenience obsessed world with personalised portals such as Last FM where you can listen to any artist known to mankind, you can listen to personalised internet radio with Pandora and also listen to all the music and view the videos on YouTube. It doesn’t take much effort to rip music (ripping is the term for digital audio extraction). The cost of downloading an album from the net is generally cheaper than an album brought in the shops, after all, downloads should cost less as there are less overheads for the record label to pay for: CD sleeve, CD case, CD cost, copying equipment etc.

How does this affect the music industry?

Some artists find the concept of the internet hard to adapt to; however, as they are forced into the mould of technology modern artists tend to embrace the internet as a friend rather than a foe. They view it as a ‘creative and inspiration-enhancing workspace where they can communicate, collaborate, and promote their work’ - Mary Madden (Research Specialist) in her project ‘Artists, Musicians and the Internet’. Sites such as MySpace have helped Artists and Musicians address their target audience rousing more interest in their style of music.

But let’s face it; there will always be people that are looking to find a loophole. I’m talking about those who engage in illegal music downloading. Experts admit that illegal downloads will never be stopped. This messes up the system and makes it unfair for both the artist and the people who are paying for downloads. The British Phonographic Industry (BPI) has joined forces with the Federation of Phonographic Industries (IFPI) to take legal action against internet file-sharers.

How will illegal downloader’s effect record labels? A record label makes, distributes and markets sound recordings; basically at the end of the day they’re out there to make money. The music industry produce mainly alums…how many albums have you brought just because you like one song? I have! We’re forced to buy albums to get the songs we love. As sales figures are falling record labels will be forced to look at the logic. Are people going to buy a whole album or just download one song? What effects do you think this will bring? Might we see a rise in the cost of internet downloads?

So in conclusion we have seen that the music industry has created stronger ties with new technology over the past decades and now can only go forward. We have seen that internet music downloads can be both an advantage and a disadvantage as we see the battle between the illegal downloader and the record companies continues. However, it is safe to conclude people – adapt or die!



Amie Street Inc.


Ragtime!

January 9th, 2008

“Perfessor” Bill Edwards wrote this exclusive writing about his passion, Ragtime! It’s a personal and entertaining article as well as enlightening.

Ragtime!

So Manuel finds me and he asks me to contribute something here in my field of expertise. “Write something about ragtime,” which is passion and profession. Really? Kewl. Although it’s a double-edged situation, since I’m trying to convey that passion and some history, the good part, in a few words to a rather wide audience, the tricky part.

I have to start with what ragtime is and is not, and why it’s important. That will be today’s topic, and will hopefully lead to more.

What ragtime is NOT is hokey music played on out-of-tune pianos in smoky bars full of drunks singing off key. It is also not silent movie background music. Sure, it has been used in these contexts, but it is much different and much more. It is the beginning of popular music in the world as we know it today. Picture a musical funnel, if you will. On the upper end are Western classical music forms of the 18th and 19th centuries, including sonatas, gavottes, waltzes, even some symphony and opera. Coming from Eastern Europe you have marches and mazurkas. From Spain and South America come the Latin-tinged influences, many of which actually correspond directly to African rhythms, including the famous habañera. To spice things up throw in the Negro call and response spirituals of the American south, and the European-based folk songs of the Eastern US.

All of these forms mix into the mouth of this funnel to create a hybrid – the march form with the classical development and Afro/Latin-rhythms with folk melodies that are syncopated. That was the basic origin of ragtime in the 1890s. It was the first music truly indigenous to the United States. By 1905, at least in the US, almost all music written here had something to do with ragtime. Even the intermezzos and waltzes were syncopated to a degree.

Now picture a string next to the funnel. That is a form that co-developed with ragtime and mixed in with it, yet remained on its own. The name of this form is the blues, a unique 12-bar development (sometimes 8 or 16) that permeated ragtime, and even the verses of many ragtime songs. Frankie and Johnnie, although it is ragtime, is also a blues number.

Spewing out of this funnel you have forms that comprise most popular music in the Western world today. Ragtime is the direct ancestor of … [deep breath]

Country music and bluegrass (ragtime guitar picking), jazz (improvised ragtime and blues), popular song (syncopated pieces that started in the early 1900s), swing (blues again), rock and roll (again blues with syncopation), and rap.

“RAP” you cry? Yes. A black colleague of mine has come to the same conclusion. Rap is an asymmetric form of lyrical poetry that is highly syncopated and urban. Many of the lyrics of the so-called “coon” songs of the ragtime era, as unfortunate as some of them are, can readily be recited as rap and pass in today’s pop world with little modification. Even lyrics written to Scott Joplin’s famous Maple Leaf Rag talk about razor blades and fights and attitude: “Oh go way man, I can hypnotize dis nation, I can shake de earth’s foundation wid de Maple Leaf Rag! Oh go ‘way man just hold you breath a minit, For there’s not a stunt thats in it wid de Maple Leaf Rag.” I also have a rap soundtrack I use for this song during school presentations, so it remains current and relevant.

What is ragtime? Any music that is syncopated over a steady beat. In the North America and most of Europe and Australia, that’s almost ANYTHING.

Being a historian is a bit like what the CSI people do. You have a result or a conclusion, but you want to find out how that result or conclusion was reached. Some people ask “where did I come from?” I do the same for music as an advocate. Before ragtime the pieces that were popular were mostly actually kind of tragic. Think of how many songs you can write about orphaned children, shamed women, sinking ships, death, despair, etc. Those were the big hits of the 1890s. The music was somewhat tepid too, with reiterations of waltzes, marches, galops, etc. that did not resonate with many in the public. Then ragtime appears, and it’s the original Rock and Roll. Really.

Let me prove this, and keep in mind trends in our lifetime, be they Stray Cats, Nirvana, The Who, Elvis or Chuck Berry:

It was largely a music developed in the black community.

Kids loved it and parents hated it – “Turn that damn piano down”

It was more urban and less genteel, causing people to move their bodies in shocking manners.

It was banned by the musician’s union in 1902, and vilified by religious establishments.

Not convinced? OK. Most music written to that time in the US could be played on piano, organ, guitar, etc., and was generic in performance. Ragtime was the first US-based music specifically composed for piano. A typical upright piano is around 350 pounds. Of that, perhaps 190 is the cast iron plate. Add in another 50 for metal strings, 10 for tuning pins, and 20 for assorted screws, connectors, weights, etc. and you have only 80 pounds of wood and over 270 of metal. Therefore, ragtime was America’s first Heavy Metal Music.

That’s fact, and you can’t have opinions about fact, right?



Amie Street Inc.


The industry of Do-what’s-already-done

December 6th, 2007

singerThis is a post I’ve received from Julien Bernier-Haineault and he is a music producer from Quebec, Canada. He made several songs for a lot of bands that never really got appreciated to their real value.

He said me: It’s countless hours, in fact I could count it as months, I’ve put into this industry for very low results in the end. This is my first attempt at writing articles and I hope people gets the point across that this art is reserved to an elite and that you must obey to some fixed rules to get into their circle. I hope to help people understand what are those traps and guide them to avoid those.

Julien, your voice can be heard now, thanks to ManuelMarino.com!

The industry of Do-what’s-already-done

Lately I’ve questioned myself why was there so much newcomers in the music industry that didn’t grab my attention. Soul less recordings, heavy thumping bass, yells and screams is all I hear these days. Where is the hear candy? You know that kind of song you listen once and you’re not sure you like until you give it more listens. The kind of lyric that hooks you and makes you want to change something about you, or even the world. The strange feeling of nostalgia, of fear or faith. That is all gone since the music industry is now all about money and none about feelings. What people want these days are instant rewards, premature orgasms while what we need from the music industry is more like a long term relationship. Don’t get me wrong; I understand why people want it that way, but there’s one kind of songs that’ll eventually fade in history while the other one will be there to stay. I think music needs a second chance, a change in the way of thinking, a split for newcomers that don’t want to fit in the prefabricated mold that today’s industry is.

Most contemporary musicians want to have the right “recipe” for success. The recipe that would get their songs top the charts and generate a buzz. They want the special ingredient that would get them out of normal life and throw them right into the elitist artist world. And that is understandable since the industry demands it. Instant success stories are heard all over the newspapers but from experience I know that most of those stories are forgotten shortly after. And if they are not, maybe they should.

What’s sad is that the music that doesn’t fit the standards gets pushed on the midnight playlist on Tuesdays, or worst, not played at all. So the infamous Verse Chorus Verse type of song is filling the entire rush hour playlist. Miss “Perfect Body” and Mr. “Perfect Voice” are all over the radio stations. We’ve come to an era where the beauty of the singer is more important than the beauty of the song. And that’s where it must stop. Sure an anti-charismatic singer won’t attract much audience at first, but fans listen to the music more than looks at the eyes, do they?

I really don’t care what the band looks like. They could be just “okay” but if what they do is pure genius, nobody will notice. What people will notice after some time is the music, the real reason why the band existed in the first place. Since when does a rock star need to be a supermodel to sell tickets? What we want is presence not nude skin.

Maybe I’m wrong a little bit though, since so much people are going to Justin’s or Britney’ shows. As they say “sex sells” and this can’t be truer. A lot of artists are betting on this to make their stash bigger. Think Janet Jackson at the superbowl. Publicity, marketing and word of mouth are what is important now, no matter what you do to get it. Good or bad, talk about it, heh? That’s what they want… And it works! What’s sure though is that good rock music has left its place to rap, screaming rock and pop music this decade and I can only hope it will be back for the next.



Amie Street Inc.


A musician story

October 17th, 2007

Musician Matti Mattila wrote his story for us! Please read also his Finnish blog and check his page at LinkedIn.

Musician Matti Mattila

My first experience with music started as early as four or five years old. Since then I have carefully listened to music and tried to imitate player’s role. Until my twelve years birthday I only loved music by hearing it on the radio. Then I found two tin cans I covered with thick piece of plastic and tightened the film with wires. Grabbing two wooden sticks and starting to beat the cans was a start of my career as a drummer. The rhythm was inspiring and stunning. It kept me beating and changing the speed from slow to quick and back. A new star was born.
We started to play in a rock group with my dear friend Age. He was a guitarist. Our band wasn’t complete until we got base player and lead singer. The year was late 1970’s. Before this we were playing in a group for more than five years having some minor concerts and other happenings. We had a lot of fun, and my first tin cans were changed to real a drum set. Rock music was not so common in Finland those days. Of course there were lot of artist and groups, but the real invasion of popular music bands was in late 1980’s. Our band had quited playing that time, but the members of the group still love music.
Our rock band Shakedown was formed in late 1970’s. The best time was 1982 when we released our first album. It wasn’t a big success, but very important milestone to us. The climate for young rock music wasn’t very friendly in Finland until 1990’s and after. I assume the nation wasn’t ready for limitless free lifestyle and some authorities tried to control what happened in teenagers’ world. Today everything is different. Finland now has many world-famous rock groups like Nightwish, HIM and Lordi. The long waited winning in European Song Contest a few years ago finally nailed our country as a serious music source.
I haven’t retired from playing drums, yet. Although I haven’t played for years it doesn’t mean that rock’n'roll is dead. In fact, I have dreamed of getting a new set of drums and starting to play again. I still love listening to rhythmic beat whenever I hear it on the radio or CD. Many other artistic hobbies have stolen my time. Theater and all kinds of appearance have kept me busy lately. Photography is one of my dearest hobbies. And of course, designing things among others. After all, music is still number one in my heart.



Amie Street Inc.



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Amie Street is a place to discover and share the music. On Amie Street, the community determines the price. Every song starts free, or very cheap, and increases in price, up to 98 cents, as more and more people purchase it. Cool designs for the urban and street fashion along with elegant ideas for the modern gentlemen. Popular TV show related merchandise, CDs from artists and comedians across all genres, all major DVDs releases from the past and present. Also, apparel and officially licensed merchandise at VH1 Shop and ComedyCentral. Sony Creative Software inspires artistic expression with its award-winning line of products for digital video, music, DVD, and audio production. The Noble Collection™ has gained an international reputation for products with exquisite design and fine craftsmanship, collectible swords, knives and daggers, weapon replicas and metallurgy, as well as porcelain, bronze, silver and fine jewelry. Firebox.com sells all the latest gadgets games and gizmos for the young at heart. From Las Vegas to Los Alamos, Tokyo to Tashkent, they scour the world looking for the 'next big thing', then make it available through their fabulously orangey website. Musicnotes.com is the leading Internet-based sheet music store offering nearly 70,000 pieces of digital sheet music and guitar tablature. The site also offers music books, CDs and videos. ToshibaDirect.com features the highest quality laptops, computer accessories, wireless networking and more. Karmaloop, established in 1999, specializes in reaching the international underground fashion and lifestyle scene, offering over 100 of the world's hottest streetwear brands. With Alibris you can search more than 75 million new, second-hand, out-of-print, and rare books, as well as dvds, videos, cds, & vinyl. When you shop with TigerDirect, you'll choose from brand name computers (the industry's top names) at prices simply not possible anywhere else. At Handango.com you'll find more than 75,000 mobile software and game titles. Dictionaries, eBooks, GPS utilities and Quake, they've got them all. As a Member of Spiritual Cinema Circle, each month you'll receive a new DVD with four wonderful, entertaining movies that will enlighten and inspire your soul. The movies will be a mixture of features, shorts and documentaries. Jaman.com has over 1,000 award-winning films to choose from and people are sure to find something they'll love to watch. The movies are delivered in high-def format to your PC, MAC, TiVo, Set top box, or other internet enabled device. Fortunoff.com provides customers with necessities and niceties: fine jewelry and watches, antique jewelry and silver, everything for the table, fine gifts, home furnishings including bedroom and bath, fireplace furnishings, housewares, and seasonal shops including an outdoor furniture shop in summer and an enchanting Christmas Store in the winter. Visit Dell Canada to buy laptops, desktops, printers plus computer electronics and accessories. FilePlanet has exclusive content, free games, exclusive betas and PC-game demos for every gamer. NewOnlineShopping.NET is a new and elegant Weblog with interesting online shopping reviews and clothing clothes articles.


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