The four strings regarding the violin tend to be tuned in fifths. Hence, it is important for the violinist to depress two strings at once with similar finger so that you can play a perfect fifth (except on open strings).
However, making use of one hand to try out two strings at a time is quite tough. It is because the surface area of the fingertip that comes in contact with the fingerboard is simply maybe not wide adequate to protect both strings.
When met with an amazing 5th, it could be tempting to simply roll the hand underneath the violin to cover both notes with a flat hand. However, for a couple of factors, having fun with flat fingers creates tension in the left-hand. First, more stress is needed to depress the string because a-flat finger exerts less weight per square inch from the fingerboard than one standing on its tip. Second, the wrist must deviate uncomfortably left rather than remain right. Finally, it requires time out of the player to move the hand from and returning to its perfect position. Consequently, she or he may feel hurried and respond by squeezing the hand resistant to the fingerboard. Frequently, a violinist continues to play with flattened hands despite the most perfect fifth has arrived and gone– due to the fact, whenever tense, the hand has a tendency to push from the underside associated with fingerboard and will not always let go of.
Exactly how should a violinist play an ideal fifth without the need for a-flat little finger? It is best to find a posture for fingertip in-between both strings that grabs both as well. Because every student’s hand and hand shape is significantly diffent, most commonly it is necessary to experiment to determine the optimal placement for every finger. The point is, its better to create a slightly imperfect 5th rather than modify the entire hand place to support this period.