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What To Look For In A Digital Camera

June 12, 2010

dslr What To Look For In A Digital CameraAre you having a tough time in selecting a digital camera? In that case, you may have to spend a lot of time in getting the right camera. Apart from being expensive, these cameras have a lot of benefits.

You need not worry about the costs involved in the films for the camera or the cost involved in its development or worry about wasting films as you can delete any unwanted photo in this camera without wasting space. More tips on the features to look out for in a digital camera below.

Online purchase of digital camera would be cost effective as it doesn?t involve any labor cost and the supply is huge. There will not be any expert to take your picture though.

The online stores have a lot of varieties than the local shops. You can walk into a local retailer and check the camera you want to buy, know more about it and then purchase it online for a good rate.

The pixels influence the quality of image, more the better. Digital camera is affordable when it is automatic. But the ones with a little control will cost you more.

Another deciding factor is the memory. The pictures are stored digitally in these cameras. This means with a memory stick of 200 you can click loads of pictures.

Another advantage with a digital camera is that you don?t have to worry about taking an unwanted photograph as it can be deleted instantly. The photos taken can be transferred to a digital disk or computer for later printing.

With information you can choose the digital camera you want and buy it online which would also get you a manufacturer?s guarantee. Have fun clicking pictures with a new camera.

Make your way to this blog to know more on digital technology.








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Very Simple Audio Mastering Guide

September 1, 2008

audio mastering guide Very Simple Audio Mastering GuideBUY NOW Page – I’ve just released my ebook (PDF document) about Audio Mastering. I wrote it after receiving hundreds requests from my musicians friends. You can find many guides on the net and at your preferred bookstore. But what beginners really need are few tips, to understand the basics, not huge tomes with neverending technical data.

Very Simple Audio Mastering Guide

BUY NOW Page – So I had this idea to write a “very simple” guide, and, I must say, it is really simple, anyone can begin mastering with some success after reading it. I give also a couple of “tricks” so you can begin really soon to obtain a professional quality master. Of course this will not make you a mastering wizard, I’m in this field since 1998 and I continue to study… (yes, those famous tomes! heh). But I’m sure your music tracks will be much better and I really hope you’ll send me positive emails about the book!

The price of this document is 5 dollars only, this is why the main purpose of writing it was helping my friends and of course helping you, the new musicians with their first audio tools.

I know impressive musicians, talented pianists and guitarists that consider Digital Audio Workstations like monsters. They had mainly classical academical education and it is difficult to explain them how a compressor works. Now with my ebook they’ll finally understand the basics about compressors and dynamics, and maybe won’t see anymore the DAWs like monsters! :)








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Music Biz

December 3, 2007

Deejay MixingMarcos Marado wrote this exclusive article about Music Biz. Is the situation really so dramatic as he explains? Leave your comments, this could be our first really important debate on ManuelMarino.com.

Music Biz

I’m, first of all, a passionate for music. My passion for music before I can recall it, and grew with the fact that I had the luck to have older brother and sisters whose music collection was wide enough to feed my music interests. Also since a little kid I was interested in technology, and started programming at the age of four. Being nowadays a music lover and also a musician, and at the same time graduated and working as a Computer Science Engineer, I feel myself lucky to have some ground bases to analyse the state of music business.

The music business is in a chaotic state. The record industry is declining, and is throwing the guilt of it to what they like to call “piracy” – the unauthorised downloading of music. While they blame it, the truth is music market is falling, whos to blame? The fault is from the music industry itself. Doug Morris, Universal Music CEO, recently admitted he knows nothing about the music industry of nowadays. They decided to sue their customers by suing music fans that do unauthorised downloads instead of suing those who really make money out of copyrighted works, and restricting their clients’ rights with technologies like DRM.

It is surely true that it’s hard to find a completely fair way of compensating musicians while promoting the access to culture, but there are efforts to design market models that work – at least better than the actual one. The biggest problem is that the music industry – defined by the four major labels – doesn’t get it. The music market has changed, music, musicians and music lovers adapted themselves to new trends and technologies, but the music industry decided to ignore all the signs, refusing to see the big elephant in the room, and kept doing business in an obsolete way.

The proof that they simply don’t understand what’s going on is right in front of everyone wanting to see it, when we get news that Elton John wants the Internet shut’ed down, or when countries try to impose Internet Services Providers to filter illegal downloads, even if that’s technicly impossible to do and the music industry does political pressure to make the countries change their laws.

They spend tons of money implementing DRM systems, and others sell the rights that were restricted to listeners back, making money from what they first took, even if it’s known that DRM systems cause sales losses, music artists and fans are against such systems and new businesses are arising just by the fact that they don’t adopt DRM technologies, radio stations create petitions against DRM. Now, it’s too late for them – but what’s going to happen to the music market?

Well, we’re also seeing a lot of emergent business models. First of all, we have to realize that while CD sales are decreasing, music consumption is rising twice as fast. Also, if you open your eyes and start considering the music business as everything around music and not just music sales, then you’ll see that, for instance, in North America, the music business will total $26.5 billion in 2011, growing at an average annual rate of 2.8% from $23.1 billion in 2006. Recorded music revenues will still declining as declining CD sales cancel out the sharp gains in digital sales. Music publishing and live music will grow. Norway has a party that wants to free file sharing and sampling, shorten the commercial copyright and ban DRM.

The number of web services for bands is wildly growing. Artists have now the means of making money while giving music for free, for instance. Musicians are finding new ways of doing their work by themselves, even if sometimes things aren’t simple. While there’s no formula on how to create the perfect record label, there are some labels and distributors that understand nowadays music market and know how to do business in it.

The future is smiling at us – we just have to let obsolete formulas and vices die.

Of course, new issues to be solved will appear. New fights have to be fought and won, or we’ll end like citizens of a dystopian world.

But soon enough it is going to be a great time to live – as a musician, a music lover or even a technologist.








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