The integration of digital imaging technology into digital photography The value of photographic prints - Stephan R. Lewis is a professional photographer. He accepted to share his knowledge with us, with this exclusive article. The value of photographic prints I have been in the photo industry trenches for a long time and have watched many things come and go in popularity. When I say 'trenches' I mean not the glamour… has breathed new life into traditional photos. Now, the storage, printing, processing, sharing, and display of stock images go beyond the conventional darkroom and photo albums, offering more possibilities for exploring your chosen art form.
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One of the most frustrating experiences for a photographer is returning from a photo trip with some great images only to find that some of the pictures aren’t sharp. To help solve this issue, this article covers seven things a photographer can do to ensure razor-sharp images.
How do you square up an image in the LCD viewfinder so it appears “level” when viewed later on a computer? Look for nature’s horizontal lines and use them as guides. Sometimes you can use the line where the sky meets the ocean; other times, you can use a strip of land as your level. In this case, I used the shoreline of the mountain lake to help me align this composition. Canon PowerShot G2, Aperture Priority exposure set to f-8, polarizer filter.
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Consider an off-brand lens hood. I’ve found it helpful to improve contrast and eliminate flare at angles that do not include the sun in the frame. It also somewhat shields the front element from accidental touches. It is a large hood, though, so make sure you have a bag that can accommodate it properly. DLC: Canon makes the EW-83E hood for this purpose, and you’ll find several third-party, compatible options that cost at least half the price of the EW83E.
A leading line is any linear element in the scene—such as a road, tree trunk, river, fence, or elongated shadow—that the eye naturally follows. When an image is carefully composed, these lines lead the viewer’s eye into the frame and toward the subject. This draws people into the image, which also makes selecting your image orientation crucial. For example, if you have a client who mentions wanting a piece to hang above their fireplace, a horizontal image would be more suitable than a vertical one.
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